Prior to his fall show, Lamine Badian Koyte reported that his new collection was seen back to move forward. Born in Mali, the designer said, “I went back to my parents, all education, which I took from him, and my source of Africa.” “People there do not like to throw things, which I think is part of my inspiration and how I have come to recycling the luggage – this is a part of my childhood, who inspire me, and try to attract the future with a mixture of many effects.”
This broad collection was like a largest hit compilation, including several signatures of coordo, including red-laid lycra, touch of fur, silk-screen denim, apesicated sports jersey and wax prints. Nayata came newly made newness, which was made with a huge needle using a cloth scrap, such as lace skirt and scarf-turn-dress (Look 47) in the look 9. The same technique was used for the tunic (Look 2), however, very heavy. The patchwork, upsicated jeans (look 10) had legs that were five or more feet long, making a slink-like scrunch.
Kouyaté has always marched on his own drum (so his models are: They have done boom boxes staged around Paris), but you can find the weather trends here, such as both neins, laces, animal prints and heritage fabrics both western (twid, plaid) and African. As usual, the collection focused on permanent practices. “I am trying to go back to the essence of Fankin’s fashion – make it sexy, but even if you pick it up from garbage (meaning: recycled clothes) to maintain that dignity of the product, make it high, make it high,” said Cayate.
