A lens that gives you access, speed and durability, which you can capture in the area. When that lens is tested under the harsh conditions of Alaska, you clearly understand how it performs where it matters the most.
Coming from you Jake SloneThis daring video highlighted Om System M. Zuico Digital Ed 50-200 mm F/2.8 Pro LensesSlone puts it through wildlife and landscape shooting, north of the Arctic Circle, under Dalton Highway, and in remote parts of Alaska. What this is particularly valuable, seeing how the continuous f/2.8 aperture pairs with micro four third system give you versatility in a compact body to give focal length equal to 100–400 mm. The slon shows how its stabilization and construction quality hold in long drives and unexpected areas. This is not a studio test; It is a lens that is shown in action, the kind of work you will expect in the wild.
Sloan emphasizes that a certain f/2.8 aperture in the zoom range is uncommon in this focal length. Most lenses in the 100–400 mm range use variable aperture, often falling up to f/6.7 or f/7.1 in a long end. Being a bright, consistent f/2.8 means sharp shutter speed, shallow depth of the area, and more creative control without oversizing. The fact is that it is a relatively compact, internal zooming, and weather-cinema makes it practical for traveling in places such as Alaska, where conditions may quickly shift. He also indicates the underlying Arca-SWISS compatibility, a small but significant touch of the tripod collar if you often rely on the trippai.
Major glasses
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Focal Length: 50 to 200 mm (35 mm equivalent: 100 to 400 mm)
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Aperture: F/2.8 to F/22
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Lens Mount: Micro four -thirds
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Minimum focus distance: 2.6 ‘ / 78 cm
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Magnation: 0.08 to 0.25x
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Optical Design: 21 elements in 13 groups
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Aperture Blade: 9, Gol
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Focus Type: Autofocus
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Image Stabilization: Yes
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Tipi Mounting: Removable, 1/4 “Rotate collar with -20 thread
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Filter Size: 77 mm
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Dimensions: 3.6 x 8.9 in (91.4 x 225.8 mm)
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Weight: 2.8 LB / 1,250 grams
Later in the video, the slon shifts to the homer in the south, which takes the picture of udilavas, birds and vessels along the coast. He also investigates the hacher pass, where he finds pika hiding in the rocks, using the faster aperture and sharp obligation of the lens to capture the expansion and isolation in tricky lighting. One of the more striking performances falls inside the snow cave, where the weather-sealing and compression effects of the lenses help him to make dramatic frames with helicopters and glaciers in a single shot. This mixture of wildlife, landscape and extreme conditions makes a strong case for the lens, which is all as equipment. Watch the video above from the slon to the full randon.
