One of the great things about photography is how diverse the medium is. Focus on countless themes and styles focus on, provide opportunities to create images with their unique perspectives for all. This is no different on DPREVIEW here. Our photographic experiences and styles vary greatly, with each different methods using photography. What have we shared before We take gear while travelingBut today, we are giving you a look at the styles and themes that run each of us.
Michelle Clarke
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Nobody read signs. Photo: Michelle Clarke |
I am not fully sure what to say to my favorite style of photography, but I always like to capture things that are out of place or irony in some other way. Think of a “no frescoal” symbol in front of a well -tagged wall, a drinking cup is indefinitely located on a piece of architecture or a machine that is clearly malfunctioned., Essentially, it’s anything that tilts you your head and goes “huh”!
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graffiti And A piece of electrical equipment? my lucky day. Photo: Michelle Clarke |
One close to another: infrastructure. High-tin power lines are one of my favorite themes, which are also unknowingly unknowingly by myself, but I am also fond of capturing pipes, wires, pumps, junction boxes and military other often-unseen equipment that help in running our world.
* Special interest: Public displays or checkout stands whose computers have clearly crashed.
Richard butler
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My first ‘ask someone if I can take their photo. Photo: Richard Butler |
The need for galleries to shoot continuously images means that it is difficult to find time to develop any type of expertise. I never know what kind of camera or lens I will use, so it is difficult to focus on a particular style, style or technique. However, I have developed a real enthusiasm for everyday paintings. It began with a camera launch in New York, during which I had a few hours to shoot a gallery as a gallery as possible. Finally, I expressed the courage to ask a stranger whether they would feel like taking me a picture and surprisingly, he said yes.
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| Photo: Richard Butler |
I still have a lot to learn and I am always looking for an opportunity to practice, but I love the fact that there is nothing with a lot of illustration gear or technical knowledge: it’s about your conversation with the subject. I was first designed for photography because it combined the technology, which I can only learn with beauty, where there is always a place to improve. Ad hoc illustration is a great example of that, and there is nothing more satisfactory than the subject you don’t know that you have to email back to say that they prefer the shot you take.
Matte waller
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| Photo: Matte Waller |
My love of photography began late in life, meaning that I am still in the stage of jumping around and trying various styles. But for me the chief driver is Black-And-White Street Photography. Certainly, it has taken my wandering legs to far-flung cities and even some workshops (which coincidentally I advise as a great way to detect a city and meet similar-ideology souls).
At home in Seattle, my work for DPREVIEW is part -time, and my second job, in a downtown skyscraper office, inspired me to find a strange street photography outlet to take telephoto shots under roofs, roads and streets. Is this a sub-style? Do any other disappointed office-bound photographers do this?
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| Photo: Matte Waller |
Talking about my telephoto lens, I have made it more traditional use by dubbing it in bird photography. I have a great way to get out in nature and a fun (and very challenging) form of photography.
Finally, in the last few years, I have started doing some corporate event photography. Although it is clearly a “third job” ability, I think I want to put my photography on the amateur side – so I can jump around and try various styles!
Del basecin
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Arora Borelis reflects a lake in the north -western regions of Canada. Photo: del Beskin |
As a photographer, I have captured almost everything under the sun, but my favorite topic reveals itself at night: Arora Borelis. I have been taking a picture of Arora from the northern latitudes for more than a decade, and I never get tired to see Mother Nature’s fireworks. The shape, pattern and sheer variety of colors never close to amaze me. More than shooting Arora I like only one thing: taking other photographers to adventure and teaching them how to shoot it.
While the northern light is a passion for mine, I recently ready to take some completely different photos: Rhodio. I let you go to a small secret – it is not difficult to get good pictures of riders in a rhodio area. With a sharp telephoto lens, a camera with a rapid burst rate and a clear vision, you are obliged to get some keeper.
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A shepherd tries to mount a restless bronze in Rhodio, a small town in Western Montana. Photo: del Beskin |
However, I quickly came to know that the real story of Rhodio is not at the center of the arena, but at the places which the audience does not usually find. Instead, I started using a wide-angle lens, working behind the curtain to catch the soul of the Rhodio, such as preparing for their events, the Rhodio clown bus that applies to makeup or cowboy, just walk out and trading trading stories.
However, my favorite place to shoot is perfect against Chute, small pen where riders make saddles for their eight seconds of madness. Working only inch with a snorting bull or a kicking bronze, you feel a sense of raw power, and the energy explosion bursts out of the gate as a rider, which can almost knock with your feet. This is the most acute, adrenaline-pumping photography that I have ever done. And I am absolutely bent.
Abbby Ferguson
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My graduate thesis consisted of several exposure images of the Still Life Scene. They were then printed on transparency film and either placed on plexiglass or suspended from the roof on a red string. Photo: AB Ferguson |
If you had asked me this question a few years ago, I could easily answer. Yes, like most photographers, I have shot many types of styles. However, for a very long time, I focused my personal work on conceptual still life imagery, either found or staged. My graduate thesis was still entirely related to life, and this topic, light and shadow, was important to me for a long time.
Recently, however, I am going through a crisis with my photography, and it is more difficult to identify a clear style. I am still not taking a picture of many formal life scenes, due to lack of space, partially due to inspiration. My ideological work has also fallen to a large extent (although I have itching to withdraw it). Instead, my photography has been focused very little on a specific area late.
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| Photo: AB Ferguson |
Although light and shadow remain a favorite subject. I like to capture the little unique natural light, often the details are ignored, it does not matter. If those details are broken things, such as a glass or a randdown building, even better. So when I find myself gravity towards a clear, well -defined style, I still see a consistent thread during my work.
