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HomePhotographyWagbond photographer shot 5,000 pictures of rural life which got years after...

Wagbond photographer shot 5,000 pictures of rural life which got years after his death


Roberto Donta’s picture of female workers in a chocolate factory in Blenio Valley. The photographer himself is fine.

In the late 19th century, on the standing bend of Swiss Alps, a long, mustachiode, eccentric man – often sang himself – used to travel around the spoiled Blenio Valley Hawking Seed Packets while carrying something else: a large format plate camera.

Roberto Donta is a very unusual photographer. He died because he was born, about a world that he could not navigate and he was never satisfied, and his photos are still bursting with humor and conspiracy for his clever use and his ability to keep the subjects easily.

Five people sit out in one row, with four holdings and a guitar. They wear suits and posture in front of a building with a window and open shutter. Dry leaves are scattered on the ground.

A group of men stand up in work clothes and sits outside a building, some holding drinks and equipment. Some are picking up their hats or posing with fickleness. There is a barrel nearby and a small dog is resting on the grass.

A rigid -looking man's black and white pictures with short hair and mustache, wearing a suit jacket and vest, and a pattern scarf tied around his neck, sat against a texture background.
Roberto Donta

Four children are partially hidden between large leafy plants in a wild, grass area. Children wear light colored clothes and gaze towards the camera. Trees and dense leaves fill the background.

A child stands on a cobblestone path, mostly hidden inside a large metal barrel, only visible to their heads, weapons, and legs, which appears in an exterior setting of a sunny.

Two young children stand shoulder to shoulder in front of the background of a pattern cloth. The boy holds a toy horse, while the girl holds a rectangular box. Both wear deep, old -fashioned clothes and have serious expressions.

In 1912, his wife left him and took six out of his seven children with him because he was unable to provide him. On his 46th birthday, all his belongings – including his beloved glass plate cameras – were seized from him.

Most of the men born in the Blenio Valley left to find work in a nearby industrial city. But Donata, partly due to his love of nature, never left the rural areas that he loved so much, mourned changes as roads and new railway lines were established.

PhotostifungWho performed his work, Donta is called a “contrasting personality”, because technology collided with his love, ie photography, his ludite personality.

This eventually led to the villagers of the Blenio Valley to consider as a vagina. But despite his shift reputation, it is clear that he was well liked, and many villagers would request their photographic services; However, he often distributed late commissions as he developed plates repeatedly to save on chemicals.

A black and white picture of a family-wearing barefoot, old-fashioned clothes and somber manifestations in front of a rustic background with three children and three children-branches and leaves.

Four people in winter clothes hang upside down with a wooden frame in the snow next to a large pig. Old buildings, bare trees and mountains are visible in the background. This scene appears historical and rural.

In the early 20th century, a boy, including a suit, tie and cap, stands on the grass in front of a stone wall and has a painted background with plants and columns. His expression is serious and his hands are in his pocket.

A white hat and a chef in the apron are holding a large fish. He appears severe and stands near a wooden door, buckets and chairs around a stone surface.

A man in a hat and coat stands in front of a rough stone wall, which portrays an open photo album, and selects the camera seriously.
Roberto Donta

Two children study under a large, shady tree, while an adult stands behind them with a large knitted basket. Filter sunlight through dense branches and leaves, creating a peaceful, natural view.

A black and white picture features a boy and a man, standing near two heavy donkeys on a village road. The donkeys carry curtains and bundles, and the wooden buildings and mountains appear in the background.

After his death in 1932, 5,000 photos taken by him were the only objects that could not get rid of the sale of all his belongings to the auctions who lent him money and never got back.

It was not until the mid -1980s that Mariarosa Bozina discovered her life work in the rural village Korzono, where she died. The incredible photographs of Donta depict yesterday’s world which was being left behind.

A group of men and boys gather around a bokus court in a village, with two boke balls on the ground. Some bokes are holding balls, and a person bends on a bicycle; Traditional stone buildings and mountains are in the background.

A black and white picture of a family of five-two adults and three boys-outside a rustic stone house. Adults are seated, the youngest child sits on his lap, and two big boys stand on both sides.

An old black-and-white photo of a bride in a veil holding the flowers stands together in front of a background with a pattern, a pattern, possibly at the 20th century early wedding.

A black and white photo of four people in old -fashioned clothes posing from a stone wall: two adults stand with a tool, two children sit on the ground, and a sheep stands near them. The visual looks rustic and historical.

A black and white picture of a group of men, women and children, pose outwards with a cup, a bicycle and a wooden barrel. Some are seated on the brink of stone and on the verge, while others stand behind them, dressed in early 20th century clothes.

Five young women dressed in early 20th century clothes posed for a black-white photo. Three are seated with flowers on their lap, while two stand together, against the backdrop of a plain wall, holding a flower.

A man stands next to a big, old -fashioned camera on a tripod, with a river seen in the hills and backgrounds. He looks at the camera, surrounded by grass and leaf. The photo is in black and white.

Although Donata did not have a shop, he would try to re -create the latest photographic studio by hanging his own immediate background and using what he could take.

Fotostiftung Schweiz says it is “clear” that Donta’s technical skills improved their 30 -year career a lot because they found their photos faster and better.

Says the museum, “Over time, Donta carried out his figures to take out a picture, in nature, inherent in a landscape, which was very familiar to them,” the museum says.


Image Credit: Photos by Roberto Donta



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