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HomePhotographyTest the new Sony 400-800 mm F/6.3-8 grams in Namibia

Test the new Sony 400-800 mm F/6.3-8 grams in Namibia


When i heard Sony’s new Fe 400-800 mm F/6.3-8 G OssI was excited. As a wildlife photographer, an appeal of a lens with 800 mm access in a zoom format is undisputed.

Earlier this month I took it to Namibia, where I spent a week through my pace. Ongwa game reserved And Oconjima Nature ReserveMy goal was simple: Find out if this lens can earn a permanent place in my kit.

first impressions

Close-up of a white camera lens with a switch for focus settings. Text

The moment I picked up 400–800 mm was clear that Soni focused on balance and purpose. The internal zoom mechanism is a major victory, which avoids shifting balance that you often get with telescoping designs. The lens maintains its length throughout the zoom range, which not only makes it easy to handle, but also prevents dust intake – a real bonus that I often encounter in Africa when working in dusty environment. The lens is similar to 200–600 mm and is not very large, so it felt familiar from the beginning.

The weight of the lens is 2.77 kg (6.1 pounds), which is not light at all, but it is remarkably manageable given the 800 mm access. I spent a long time to hand over the lens, with the tight strongholds of a vehicle, and never felt it was very heavy or too heavy. Smooth zoom ring with its small throw for quick and accurate adjustment, which helped me easily create my photos.

A leopard rests on a rocky surface under the clear sky. Its spotted fur is prominent because it is directly spread in front of its claws in the camera. Sunlight highlights the characteristics of the animal against a plain background.

Autofocus

Autofocus performance is important when using a long lens, and 400–800 mm did not disappoint. High -speed linear motors also focused rapidly and accurately when infection between passes and distant subjects. Tracking capabilities were on par with Sony’s G master lens, making it a great tool for capturing rapidly growing wildlife.

Even as light faded, the autofocus remained reliable to the point where the quality of the image began to degrade due to too much ISO, on which I was shooting.

Aperture and low-light performance

With a aperture range of F/6.3 to F/8, 400–800 mm is not a low-publish specialist, but it performs well in natural light. Despite the F/8 aperture, I found that I was able to achieve good theme isolation with pleasing Bokeh, and well blurred foreground vegetation, thanks to the long focal length.

A leopard moves secretly through yellow flowers and an area of ​​green leaf, its eyes are focused further. The background is a spot of more greenery and yellow blooming, which creates a natural, succulent setting.

As the sun’s strength faded, I needed to push the ISO quite high, but modern cameras handle high ISO well, and together with Danoizing software, I found that I can still receive fully usable images in most situations.

Of course, the low-light performance of the fast Prime lens is much better. However, the versatility and extended access to the zoom reduced the challenges of low-light in many situations. When you are also a factor in portability, value and flexibility, 400–800 mm becomes a very compelling option.

Push the boundaries with a 2x teleconverter

I had doubts about creating a pair of 400–800 mm with 2x teleconverted, effectively turned it into 800–1600 mm f/13–16 lenses. For my surprise, the setup was quite usable. Shooting from a hiding, I managed to get sharp images by resting the lens for stability.

A close-up of a deer grazing among vibrant yellow flowers. The antelope's eye and part of its horn appear, as it reduces its head on greenery in a sunny meadow.
2x teleconverter example.
A rhinoceros with a large horn on dotted green grass with small yellow flowers. Its skin appears rough and texture. The background is a mixture of green leaf suggesting a natural habitat.
2x teleconverter example.

The autofocus remained functional in good light, and I found that the animal-eye air force also works well on 1600 mm F/16.

A leopard is partially hidden between long grass, which is from the difference through vegetation. Its spotted fur is mixed with the surrounding greenery, which creates a sense of camouflage.
Animal eye is working well.

Compared to 200-600 mm and 100–400 mm

In my lens comparison video, I tested 400–800 mm with 200-600 mm f/5.6-6.3 g and 100–400 mm f/4.5-5.6 gm. Each lens has unique strength, and the correct option will depend on your specific needs:

100-400 mm: Its compact size and bright aperture is an excellent choice for travel, but it lacks necessary access to distant wildlife and small birds. A teleconverter can be added to increase access, but this solution does not match the performance of long native zoom.

200-600 mm: A good all -rounder with internal zoom provides a good balance of access and versatility. This is ideal for those who require single telephoto solution, but in many situations, an additional 200 mm will be useful. In a wider end, it is more than 400–800 mm versatile because 200 mm focal length may include too much reference.

400-800 mm: The longest access to the trio, providing impressive results with strong autofocus performance. While F/8 aperture is an idea in low light, good lights and benefits in hand use. It makes my favorite option for wildlife photography.

Three camera lenses of different -sized size stand upright on the wooden surface against a dark background. Each lens is white with black and silver accents, with various dials and switches for adjustment.

Three white camera lenses with black accents are displayed directly on the wooden table against a dark background. The lens vary in size, the longest on the left and the smallest on the right.

Two large Sony camera lenses are placed inside a padded camera backpack. The lenses are safe in individual compartments. A small black camera appears partially in the lower right part of the body bag.

Benefits of the real world of a zoom

400–800 mm impressed me not only with its reach, but also with the practicality of its real world. The ability to zoom in and out allow me to catch animals in my environment as well as catch tight pictures. The lens proved invaluable when I found that the Namibia’s landscape was given a blanket in yellow flowers – I can pull back to the reference or zoom for expansion, compatible with the creative opportunities presented by the vibrant environment.

A zebra stands on a green, grass landscape, full of small yellow flowers. In the background, there are large leaf -free trees under a cloud blue sky.
400 mm
A zebra stands on a meadow dotted with yellow flowers. Green shrubs and trees make backgrounds under a cloud sky. Zebra's black and white stripes are opposite against vibrant scenes.
800 mm
A leopard sits on top of a mound of red-brown dirt under a clear blue sky. Its eyes are focused further, and its spotted coats are opposite with bright backgrounds. A small green plant grows on the left side of the image.
556 mm
A leopard with specific spots stares directly on the camera. Its right eye clouds appear, possibly indicate blindness. The background is a spot of green leaf, which emphasizes the presence of leopards.
800 mm
A large rhinoceros with a major horn stands between green leaves. Its skin is rugged and deep, and it seems to be grazing, it shows vegetation in its mouth. The background is succulent and vibrant, indicating a natural habitat.
800 mm

This underlines how valuable a zoom lens can be on the safari, where the condition of the vehicle often prevents you from changing your distance. 400–800 mm allowed me to create creative options that was impossible with a certain focal length.

A leopard with a spotted coat stands cautious in an area of ​​yellow flowers and green grass, which is a combination in a green environment. The background is a spot of greenery, which complements the vibrant colors of the scene.

A zebra with separate black and white stripes passes through an area of ​​yellow flowers and green grass, surrounded by trees, in a cool, natural setting.

final thoughts

Sony 400-800 mm F/6.3-8 G OSS is a versatile lens that has crossed my expectations in many areas. It especially provides a practical balance of access, handling and image quality in good light. While it has boundaries in low-light conditions, they are manageable and often overtake the benefits of the zoom range.

It is a lens that I can see myself arriving often, especially for bird photography and conditions where maximum access is required. It cannot replace prime rapidly for every landscape, but it fills a difference in my camera bag that I did not know that I had.

The gray bird is located on a leaf -free branch with most white sky in the background. The bird has a separate orange beak and legs, which consists of light brown plumage and some scattered leaves.

To keep an eye on how 400–800 mm was performed in Namibia, watch my field test video below, and if you are deciding between this and other telephoto zoms of Sony, then my lens comparison video above offers a comprehensive breakdown.


About the author: Will Bird-Lukas is a wildlife photographer, founder CambaraptionAnd a Sony Ambassador. He dedicates most of his time to work on long -term book and conservation projects in Africa. Get more information www.willbl.com,



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