Susan ClarkeFor whom a unique vision Rednor The contemporary design has re -designed the scenario, stands on the threshold of the most ambitious chapter of the gallery – yet – Development in form -A sunshine penthouse increased 70 floors above Manhattan in a sunlight Sutton towerIts influence on how we experience design in residential contexts have been transformative, which makes a dialogue between objects and spaces that cross traditional gallery paradigms.
Filled with this light from previous places, 5,000 square feet of penthouse is higher than the change of transition address. This represents an ideological change in Clarke’s approach to presenting contemporary designs. He deliberately embraced a cleaner, more minimal aesthetics that reacts to architectural terminology Thomas Juul-Henson Residential Tower – Now the longest side of Manhattan is at 850 feet.
Susan Clarke said, “I was happy to open my latest place in Sutton Tower with this new collection.” “In many ways, Development in form Not only reflects our discovery of the new creative horizon with our designers, but also our desire to create a developed dialogue between design and architecture. The blank space we show give us specific problems to solve, and specific ability to complete. It is a more meaningful exercise for designers, and a more relevant way to show the design. In Sutton Tower, the discovery of a collection of soft, textured physicality and authentic, personal design language comes in a new focus. ,
Spreads across the surface without light Toshio Tokunaga The latest dining table, hand -planned Japanese Zelcova hold in wooden shallow waves. This 350 -year -old wood, touched by traditional Kanna techniques instead of only modern machinery, is for the development of centuries within its grains.
Exhibition center point, Sebstian cox The sandal collection stands as a powerful will for the ability of regenerative design practices. Cox, whose work especially uses wild-bit British wood and natural finish, has created pieces that hover between adequate and lightness. The collection has an undercut base in the collection’s armoir, credenza and console table that creates a floating effect, even reduces visual weight of the largest forms.
Development in form Works together that examines tension between tradition and innovation in materials and techniques. The collection includes the first venture of the Redner in the outdoor furniture – Pausa Sofa Collection by long -term colleagues Ban studioThese sculpture rattan pieces combine historical craft traditions with contemporary sensibilities with their generous ratio and envelope forms.
For more information about the development of the redner in the form, go radnor.co,
photography by William Jess Lear,
