When it comes to photography and videography, traditional knowledge assumes that digital cameras intended for one of these mediums, in the other, are the best, in the best, the artists. Or maybe weeping about every compromise or slight imperfection in our gear has just reached a absurd level.
I have followed new reports and reviews Panasonic Lumix S1R II With some interest, and by most accounts, this camera can be the best hybrid shooter on the market today. Depending on what I have seen and heard, I am keen to believe it – and no one is giving me any incentive, financial or otherwise to hold this opinion.
The S1R II is still able to produce images with a resolution of approximately 45 megapixels – which by all accounts, all are more luxurious by the excellent color science of the camera, which produces beautiful colors directly from the camera. On the side of videography, the S1R II 8K open gate shoots and up and up, including 4K in the 120 frames per second, as well as, as well as the ability to occupy the princess raw headquarters.
Still with advanced specifications that ensure photographers and videographers equally stimulated, S1R II is an incredibly versatile camera that will probably prove to be a heavy hitter in both mediums.
But I am also surprised at how some internet comments have focused on their energy on the flaws of S1R II – in particular, its rolling shutter performance that can sometimes appear in a video clip that is characterized by a very fast movement. This is an issue that is somewhat common for all digital video cameras, and 99% in all clips that most of us will ever shoot, we will never see it. A way to avoid rolling shutter is to use a sensor over a very fast reading time, but when you also want your sensor to be a great high-resolution engine for photography. Panasonic clearly decided that some extent the rolling shutter was clear in the high-resolution video clip, which was captured under a very limited set of circumstances, in fact there was an acceptable agreement to build a competent video camera that could still perform at a very high level for photographers.
Yes, the technical agreement required to produce cameras capable of meeting the needs of professional photographers and videographers fulfills some minor performance issues to limit some minor performance issues that are essentially edge cases. But the online grip level about this issue is out of all the ratio of its importance online for all people who will ever use S1R II. It is a bit a bit that someone living in Florida refused to buy a Toyota Prius as it does not handle well in deep snow.
Before some nightpicking of its specifications or some type of artificial “lab” test, S1R II was designed to highlight its flaws, before getting ready to jump and garbage, how to check what this amazing hybrid camera is capable of real -world conditions?
Which brings me to the video …
I have been a great fan of Ben Steel’s YouTube channel for some time. I really enjoy about Ben’s approach, he has an infectious passion for getting out and shooting, whether it is a video or a stil. Ben is largely avoided technical reviews that orient the gear channels in favor of putting gear through their pace in the real world. And trust me when I tell you that Ben’s experience of applying gear through his pace in the real world is up and beyond which most of us have ever experienced.
I already introduced Ben Stell in a previous article, and even if his name is not familiar with you, you have almost seen his work almost. Ben is an award -winning videographer and filmmaker, whose stunning imagery is painted like a popular TV show deadliest Catch And Ice road truckBen is also a fond Chawla (and excellent) is still a photographer and regularly works as a photography on his YouTube channel, Adventure and art,
In this latest video, Ben and young runners who will work with them as their subject, to increase the hills around Los Angeles to shoot the Stills using the new Lumics S1R II to the video and stils to increase the hills around Los Angeles. This journey requires light, and Ben actually displays the versatility of S1R II, using it stunning 8K videos and some very challenging light situations to capture stils. The approach to Ben’s gear that he uses is largely dedicated to how it can help him where he wants to be as an artist and producer. This is the one you can say in the philosophy that you find a fresh counterpoint to write by hand that I can take the risk of becoming a passion that derains us with our real purpose of getting out of there and making great arts.
Even 30 years ago, photographers and videographers rarely dreamed of having a gear that we expect today. Like a cosmic bad worker, who blames his equipment, if our artistic output lacks quality, it is definitely not because our gear is not even a job.
