In the previous sessions, Stein Goya is searching for the interior world, in the sense that she has held a show where she lives and in her atelier. Earlier this year, he introduced a small selection of housewives. Now, in relation to his new collection, which he named the guest house, Goya has adapted four paint colors with a file under the pop, which is a surface design company for the interiors run by his friend Josephin ora Akuamoa, whose office serves as a place for the showroom and festive dinner for this season.
Backstory probably made wisdom on the moodboard for spring, but was overcomplicating to tell. The team imagined a passenger who arrived at an 18th -century country house by horse (which explains the equine prints and patterns). It had references to overlade Jane Austain and Oscar Wilde. The clothes reached the direct point. A fascinating print of porcelain plates, ceramic button, crochet (used on half collar), and as you can find on a linen napkin, a monogram, expressed the world of subtle subjects with different levels of subtlety. “All the details have come from this world that you think you are seeing, you can identify something, but it is not your own,” said Goya of the miraculous airism being hosted in someone’s house.
If there was a heart print quinine, a dress with an extended waste-top and a flowing skirt was completely romantic. The designer claimed a gruvi pair of jeans washed with a wide waistband, which is a “G” for a “G” for making a belt loop on either side of the shape of a “S” and a “G” for Stein Goya.
