The main teak pivot door opens to reveal a roof of linear wooden slats that mirror your grain of the door. In this single gesture of admission, Sophie Goinue The entire philosophy of spatial changes has been removed – the belief that architecture should breathe with its environment instead of opposing it. Inland lane residenceBushed by zoning laws, stands as a will for the designer’s vision, which he refers to as “harmonious dissolution”.
Impressing the structural character of the mid-century California modernism in 1965, the house presented Goinue with a familiar challenge to respect the existing bones, while making some completely new. The question of rhythm becomes central to understand its approach, which behaves like an inner place how one would treat music composition.
“The structure is an etipical T-shaped,” Goinue says. “Living rooms, kitchens, and guests open up to the insuight bedroom pool, so when the doors and windows are open and flow on the roof, it gives a village to a villas with a separate bungalow, Cabana and Pool House. And you think you are completely out of the outside.”
By opening the walls and re -combining the lighting lighting from several angles, Goineau turned the unconventional configuration of the building into a property. The “braking waves” of the roof – four layers of the thermally modified ash wood are arranged in the jaxtaposing angles – the Sun serves both as the shield and the event theory. Increased wooden durability and natural antimicrobial properties, while maintaining the heat that defines the design language of the house, makes it ideally favorable for the extreme climate fluctuating of the Malibube.
She says, “Light here, while beautiful, is very strong, but we did not want to ruin the existing skylight with colors. ‘Waves’ provoking ourselves with heat and light, and the way the shadow is reflected on the walls makes a wonderful graphic artwork everywhere.”
See more information about inland lane residence by Sophie Goinue sophiegoineau.com,
photography by In fact studio here,
