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HomePhotographySigma 300-600 mm F/4DG OS Sports Review: They reduced in way

Sigma 300-600 mm F/4DG OS Sports Review: They reduced in way


Professional telephoto lens, especially for wildlife and sports, can buy the most expensive money. They push the envelopes of lens technology, not mentioning size and weight. What if I told you that Sigma has created a lens that jointly distributes the same F/4 aperture with a more versatile zoom range, but only $ 6,000, compared to the competition is much less money? It sounds too good to be true.

Nevertheless, this is what Sigma has done with her new 300-600 mm F/4DG OS Sports. Certainly, this lens should have some serious compromise, right?

The Sigma 300–600 mm lens is optionally excellent and very heavy.

Sigma 300-600 mm F/4DG OS Sports: How does it feel

Sigma 300–600 mm F/4 definitely looks like a serious professional telephoto lens and feels. This game (no punishment) to reduce unnecessary heating of internal elements (no punishment) is an all-white paint job and chassis is completely weather-cellar, a adaptable control rotation, lots of adaptable buttons, and image stabilization.

A large white telephoto camera lens with black accent stands straight against a black background, displaying its adjustable zoom rings and wide marks.
All professional control you want is present on 300-600 mm lens.
Focus mode, focus range, optical stabilization (OS), and custom settings have been set against a dark background, close-up of a white camera lens with several labeled switches for custom settings.
Sigma has effective optical stabilization and lots of focus controls.

There is a focus limist and a tripod collar that can be set for click-stop 90-degree details or smooth rotation when desired. The carbon fiber does a big job of protecting the front of the hood lens, and if you need it then there is a 40.5 mm drop-in filter option. I will easily easily keep this new sigma manufacturing quality against any 600 mm F/4 telephot from the choice of Sony, Nikon or Canon.

Close-up of a black and white camera lens collar mount against a dark, blurred background, showing a metal tightening screw and textured grip.
A 40.5 mm drop-in filter holder is standard on this lens.
A gray with a small black hole, close-up of a round device, a texture dial and a metal button labeled
Sport edition lenses are designed for rugged use and severe photography.

A wildlife and sports lenses also have to focus quickly, and 300–600 mm has no problem for its powerful HLA linear motors. The modes of detecting the subject on Sony A7RV were zero issues among me, but Sony will limit you to a maximum of 15 frames per second in burst mode. However, there is a major agreement, and it is the overall weight of Sigma 300–600 mm lens. More than 140 ounces (3985 grams), Sigma is heavier than 600 mm F/4 lenses from other major manufacturers. Catching the lens by hand is incredibly taxed, and a monopod is more essential for this lens than any other brands.

A large, white telephoto camera lens with a black rubber's front ring, placed on a grid-pattern surface against a dark background.
Carbon fiber hood is very important for provoking and protecting the front element.
A white camera with a black, textured trippai mount leg relaxes on the close-up grid-peterted surface of the lens. The background is dark, from which the lens and mount stands out.
I think the tipi leg is cut for extract-swaris tipi mount.

However, let’s not forget that sigma is 300–600 mm is a zoom and therefore acts as several lenses in one. It is extremely useful to have a zoom lens to take a photo of animals when a quick composition change is required or if you find yourself a little out to take a photo to your goal. I think the overall weight is a proper agreement given additional versatility.

A close-up of a large camera lens with a black lens hood, showing green reflection on the glass element, was set against a dark background and a grid-pattern surface.
There is a lot of glass to make images sharp throughout the zoom range.

Sigma 300-600 mm F/4DG OS Sports: How does it shoot

Can Sigma compete 300-600 mm F/4 if it comes to overall image quality? The first thing I tested was the resistance to provoking the lens. Without it, the contrast is maintained well while shooting the sun of the hood, but I noticed some minor ghosts in the opposite corner. For example, close the aperture from the bottom for F/11, for example, and a large green washed area prevalent in the ghosting frame becomes quite severe. I will always be sure to use the lens hood, whenever I have this lens out and about it.

A person with a backpack uses a large telephoto camera lens on a trippai, which is to take out pictures in a wooden park area on a cloud day.
At about 2 kg, sigma 300–600 mm lens requires a tripod or monopod.
Side-by-side photos show a metal structure shot towards the sun at 300 mm. Left image (F/4) is bright with lens flair; The right image (F/10) is deep with less flare. The text labels the aperture settings on each photo.
Flair is an issue regardless of the aperture used.
With a blurred background of trees and reeds, a Canada goes standing on the green grass near the swan water. The goose has a black head and neck, white cheeks and brown body wings.
Backgrounds are soft and pleasant who are looking for most parts.
A small bird with yellow and white signs is surrounded by thin branches on a tree branch and a natural external settings budding leaves.
I liked this small yellow-ridden warbaler and was taken in hand to take the shot.

Bokeh was quite pleasant, which is important how many times the background would be reduced in a soft spot on this lens. Specular highlights have a touch of soap-babble effect, but otherwise they are quite clean. There is a slight hardness for out-of-focus regions, although it is actually worth noting only of those fixed 600 mm lenses that compete against Sigma. Do not make any mistake, the Prime 600 mm lens has a fully visible bokeh, but it is a large extent thanks to the excessive pricing coming with them.

A person wearing a fishing gear stands waist-deep for fishing in a river, with a dog in the background and with a dog running on the banks of the river and on the banks.
Bokeh is not going to compete with a prime, but it is very close.
The delicate, dry grass stems in a soft focus against a staining, silent blue and beige background, which creates a cool and minimal natural view.
Specular highlights show clean with the effect of a minor soap bubble.
A small woodpecker with black and white wings and a red patches on its head is surrounded by bare branches and a soft, blurred background.
Like this Downey Woodpekar, attention was also excellent with birds growing rapidly.
A brown and white bybird stands on a small rock, which is visible on the surface of the water, surrounded by shallow water.
I liked the reflection of this less yellow and surroundings simplicity.

The one who definitely affects me was the level of expansion and sharpness that could be signed. Even if you shoot or close on F/4, and at any focal length, 300–600 mm has a resolution power that requires it. This makes the entire lens useful because there is no meaning in its range that you want to avoid using for any reason. I think most professional wildlife and sports shooter Sigma will be affected by the widespread performance of any available prime option.

A brown deer stands out, looking at the right with the ear alert. The background is gently blurred with a sign of trees and dry grass.
Wildlife photographers will accept this lens for their image quality and utility.
Three people are fishing with a small green boat on a cool body of water. One person is casting a line, the other is sitting, and the third is rowing. The visual looks relaxed and peaceful.
I found that 600 mm is sufficient for most conditions, but the Sony version cannot use the teleconverter to go to any distance.
Side-by-side comparisons of two pictures showing dry grass and logs; Label is on the left
This lens is sharp in any aperture and entire zoom range.
A duck stands in the middle of a river, spreading its wings. The foreground is rocky with green grass patch, and the background shows the banks of a grass river.
HLA motors ensure focusing faster and accurately.

Sigma 300-600 mm F/4DG OS Sport: A limited selection of cameras

The only thing that can stop future buyers is related to the lens mount you buy a lens for you. Sony e-mount users will be limited to limited rates to 15 FPS (frame per second), as Sony does with any third-party glass. You can still do continuous continuous tracking autofocus, regardless, and 15 FPS is sufficient for most photographers. However, there is no option available to use Sigma 300–600 mm with e-mount teleconverted, and this can be the biggest negative aspect to own this lens.

When it comes to L-Mount, you can use the teleconverter and there is no FPS limit, but I will argue that leaka and panasonic cameras that you will use with sigma Sports and wildlife are not the most ideal tools for photographyCameras like Lumix S1R II can definitely be used for some work, but I think the e-mount options are far more reliable when it comes to the exact autofocus required for such photography. This is enough to say, I want you to get Sigma 300-600 mm for Nikon and Canon Mount, but so far, this is not an option because neither the company allows Sigma to make a lens for its full-frame cameras.

A duck blows in a brown, a brown, dry grass in vintry landscape, blurred tree and low in background with a white truck.

In the installation of the forest, a black-white woodpecker with a red patches on the head on the edge of the stem of a tree. The background is blurred with muted colors and sparse branches.

Three people in Veders are standing in a river fly fishing, with a bridge in the background with a bridge and sunlight.

A cool sunset above an icy village by a lake, with trees and silhouettes of mountains in the background, and reflected orange colors on water and sky.

What are the options?

For equal performance without the same versatility, Sony 600 mm F/4G Master is an excellent but Extremely More expensive options. This incredible value is the true beauty of Sigma 300-600 mm lens. You can also see slow but more affordable Sony 200-600 mm f/5.6-6.3, but you bring constant and bright aperture sigma to the table.

There is no real option in the L-mount, so that it is not much.

Should you buy it?

Yes. All performances with very little money for very little money. Any serious wildlife or action photographer should take a difficult look at Sigma 300-600 mm before deciding on their next telephoto purchase.



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