The most adequate details within the resort collection of the self-portrait were also the smallest: small, transparent sequins, scattered in draped tops, and pel-pink and white lace dresses, which also flirt with barely light, barely light. It was a subtle, but significant soft of the Instagram sparkle, which underlined many previous collections of the brand – and in turn, gained a different kind of brightness. “I have heard a lot of things about ‘Dressing’,” designer Han Chong said during a preview of his headquarters. “And, when I admit that I was not necessarily thinking that when I was designing, I realized that the vib shift has been loudly turned away from glamor, and towards the parade-back, the pieces of investment that people can wear repeatedly.”
A axis towards the timeless and trend-resistant ended a certain downtown-chic for the look of this season-in the vintage wash of a micro horseshoe-shaped gene, a boycate biker jacket, small bouquet cloth, and drop-vest maxi skirts and asymmetric out tops off. This does not mean that there were no big statements in the mixture-they have a j.lo-coded faux-Fur jacket and disco-fraled with two pieces-the whole thing was, for the less nebulus word, cool. “It’s light, spontaneous and much more contemporary,” Chong said. “Meditation was on detecting staples that are all near, or in their wardrobe, and should upgrade them.” There were several nodes for mid-century design, including swing dress, cocoon-sleeve coat and even a self-portrait refer on bar jackets. Classic argyle sweaters were padded on the shoulders, and button-powed on the hips, while viosable cotton-satten collar shift dress, cardigan and extended to the lapels of a squeed leather jacket. “I hope that when the collection falls, they will reflect the sun on the face.”
This is the kind of thinking that you will expect from a designer as practical as Chong, who is actually more interested in meeting your customers, where they are than to tell them where they should go. Most of this collection, in fact, are built around their future social calendar: covered, back-to-school mini fabrics and side-lipped cotton skirts; Ostrus wing-prudent LBD and rhinestone micro skirts for party season; And for the mandarin-collar shirting, jacquard blouses and an epolet-shield denim jackets when the lunar kicks in the new year ceremony gear. (It was especially good to see Chong, which belongs to the Malaysian Chinese dynasty itself, incorporating the architecture of East Asian design here.) “We usually release a special edit for the Chinese New Year, but, this time, I wanted to bring those traditional elements in a comprehensive context. You are not watching anything here, but everything is high.
