Rhodurt Fall Collection started with a unique color. “It all started with this lavender pigeon gray color, with which we wanted to work, and it originally told the story of just something that felt gothic and moody,” said Laura Mullevi. “When you think of these gothic stories you see a moonlight color palette, and I think we were thinking about seeing the color through the moonlight.” Gray’s light shed actually instigated the moon, on soft voluminous charmous mutton sleeves, and a assembled chiffon kati, whose hem gently pools around the model like a cloud. The palette is a midnight crimson red, another mint mint green, and the most dark black – velvet.
The lineup of the dress was impused with the signature romanticism and fickleness of Mullevi Sisters – in more enthusiasm than recent collections. This is not to say that the designers got away from the decoration, but that their ambiguity shone subtle from within, as the dazzling was contrary to blinding with dazzle. White Les Applices indicated choli and delicately trimmed necklaces and collar which many times indicated on a monasteries’ spirit; The straight contrast of a simple slip dress was decorated with glitter, and another strapless column was made of sequel crochet. “It was really fun to choose the materials that felt that they created the texture (and light) within,” Laura said. “Most of the clothes are not shiny, so it was thought to see if you have a window and you are staring at someone and the only source of your light is the moon.”
Kate said, “For us, it has always been so personal; whatever we have done inspires us in this moment.” “I always felt that the person who was choosing something for us also had an emotional attachment – I always think, when you have anything in the world, why are you choosing this one dress?” The final gown, with its lace applicated Victorian Choli, Princess Sleeve, and White-on-Black Floral Inle fabric, which seemed to be shining in the dark seemed to answer that question.
