Kate and Laura Mullevi watched films for Spring Collection of Rhodurt. Kate said on a video call, “We were inspired by a kind of Dreamscape, which connects us between two worlds.” “There was a film Three womenAnd the other was Midsummer night dreamThe “designer” was thinking about the dream of losing himself in his landscape “.
The yellow colored floral shiffon gowns that opened the collection were encountered in clay and heavenly places: print had an inherent feeling of domestic, while “like a cloud” the sleeve raised it to a great extent. Kate said, “What is specific in our clothes that construction does not require heavy elements; it is just present.” Alternative version of the same dress-with a slightly low voluntary sleeve as a simple slip, is more casual as a rap dress with a lace collar, and even indicated more young-optional realities as an ultra-short rap-dress in Twil. Which is real? Which is true?
By establishing Three women He took a cactus theme, which he then asked his mother to describe and used as placement print on simple bias-cut clothes; Although a completely beaded version on a simple tulle chemis that felt that he had landed delicately on the model’s shoulders was one of the best pieces of the collection. Kate said, “When we were all beading, we were wrapping it and we both said,” I like the way it is, “So we just shaped the tulle and left it,” Kate said. “It is almost as if the tulle is floating over the dress.”
A group of printed lame jacquard gowns was particularly luxurious, highlighting the “hidden” shapes of how they caught light. But Mullivis can also combine magic with simple materials: a series of prejudice cut slip dress inspired by the 1930s were elegant and captivating with seam lines like diamonds; Particularly in Peach Crinkle Chiffon, a delicate powder in contrast to blue flowers that looked almost bioluminous.
