With a collection of 2025, Synthia Merhej found herself free to take the Renaissance Renaissance in the new area. It started with a political change at home in the long November ceasefire and Lebanon. “For the first time, I think I can plan ahead,” she said during a showroom trip. “Finally there is political change, which gives me a beautiful perspective. The mood in Beirut is now different: people are going out again, and the air has a feeling of positivity. It looks light, more fickle. ,
Without the existing pressures in survival mode, myhaj is capable of focusing on other things, especially his personal life. After focusing on business for many long years, surviving authentically survived as the missing piece of his puzzle. Identification, then, will be in front and center when Merhej presents the LVMH award showroom in Paris this week with its fellow semi -finalist. His collapse collection reflected the journey. It began with the polish style of a Jackie O or Audrey Hepburn-Type Figure, which the designer imagined the crossing paths with only a free-elevated type with only a free-elevated type after tagging a wild night in the city, that they are one and the same person. “It is about embracing duality rather than compartmentalizing. That philosophy -Charam Seema, establishing reconciliation between them – has always been at the core of my brand, ”he said.
For the fall, this idea was played opposite both literal and conceptual. The jacket and coat were constructed asymmetrical, and the Pusicat blouses were hidden wires, so that they depend or reveal on the occasion, and simply choose how to wear the button. A black leather pencil skirt with a assembled hem can also be flipped and worn upside down; A bright polka-dot blouse can turn into a party dress.
The designer discovered duality by looking at the fabric in new ways. A party dress from its first collection in 2018, here was “opened” in white cotton by Black Tulle. The “taki party sequins” were layered between the tulle; A black and white tweed jacket and delicate bow mixed with Freud Eding on a humble lining fabric was treated with luxurious piyasenza wool similar care. In the air as voluntary and light, shiny silver techno fabrics were to create a sense of freedom and movement, the designer said, although they would also hold eyes on a dark and crowded dance floor.
“This is about change, about what you are, about stepping into its perfection,” Merhej said. Renaissance Renaissance looks more polished, ready and light for this.
