Rahul Mishra returned to Mumbai to show his co-ed fall an Fall APU line as the conclusion of Lakme Fashion Week for his position at the Indian Fashion Week. Ever since he scooped the Woolmark Award in 11 years, his morally operated business has increased to support about 1,500 employees, with Crown Jewel his Delhi embroidery Atelier, whose artisans have crafts Mishra’s traditional Indian imagination, natural symbolism and Maximal Fusion of Furious.
Couture is Mishra’s extraordinary playground; Afew- A brief name for air, fire, earth and water represents its “easy-to-front” line. Although slightly more understood and practical, it is not much more than its penchant for bold decorative gestures. This collection was no exception. The silk route was named, it was a medley of cultural and visual effects, which was bound by Mishra’s nature for artistic dash.
Throughout history, India has been a intersection of trade routes connecting West and Far East; Various crafts and textile techniques are often connected by unexpected methods. Bandrani of Gujarat – where the small pinch of the fabric is cautioned carefully before it is woven, the beautifully irregular pattern is formed – Japan’s Shibori promotes a striking equality for the dyeing method. Similarly, Scottish Tartons share parallel geometry with Madras Windopen check, while Hanry Russo’s paintings resonate the juicy gallocard and bestaries Indian minor arts. “The more I look at the craft, the more I think it is a collaborative effort where creative boundaries are porous. The art does not know any boundary, and beauty was present before the creation of boundaries,” Mishra said – the words at an age were rapidly corrected on boundaries and sovereignty.
He prepared “this crossbreeding of effects” to “map” this crossbreeding “, giving shape to the structured silhouette through his eye for inventive mélage. Re-prepared Bandani Clothing, Madras-Czech Wool, and Floral Prints were stuck in bizarre compositions-half-and-a-half crinellers, and half-and-a-half crinole The pencils were enraged by the midi skirts, and the butterflown wings and the wings that swell were a 3D assembling of the inverted tetrahedon in a dress, a figure that was also prepared in a trailing stole wrapped on a high -core This was a sign of pride or a sign of rural apathy, not only one? “
