While writing your memoir, Come on like a girl (Outside of May), it was necessary to walk on the memory lane for the strong Gurung. Maping the past, perhaps the designer allowed the book to close and look at the future on some of her less positive memories. Any kind of change is definitely behind; Gurung recently launched its Attellier Line, which is dedicated to the evening/opportunity dressing, which in principle allows them to be more playful with their prepared to-front, which is more comfortable in the recent season Starting moving in the direction (see the chiffon tank of the previous season and the light knit of this season).
Gurung wanted to find in his fall collection, with a fleeting moment between one night and in the morning, when a woman could emerge in a fabric cassed with a male lover and/or looked a bit undone. To catch that effect, the sweater turned upside down to the impromptu shawl and was created through the desired “live-in” look wash and manipulations in other fabrics. As a massive impure fur coat, Gurung was being worn in a way that was not precious, but something that you could catch a coffee, then meet with your day.
In the case of the pre -collar and tops, Gurung, who prefers to flash a bit of the chest, may be referring to his personal style. “At the end of the night, when I am wearing a Tuxedo, I discontinued it and the bow is hanging, and I like that vibe,” he said, black leather with white oxford shirt in a room Identifying a pair of pants, as one of their favorite collapse looks. It was not the only personal habit, worked in the collection: returning home after one night in the city, Gurung could stay in a bodega and pick up some white lily. The finale look, a silk gajar dress with hand -surrounded flowers, was conceived as a woman, which was transformed into a white lily, symbolizing purity and mourning.
Last. Gurung has been very vocal about his politics, but in a pre–shared interview, he said that he did not want to take fodder and reactive. Instead, he was thinking about “rest and familiarity”. I want the world to feel comfortable, hug. “That feeling was best expressed through double face Kashmiri toppers, with some fur trimming. Gurung’s work always has a conversation between East and West and show notes described these pieces as a kimono coat, but they also meet the cocoon shapes associated with Paul Poerit. A manneesh, oversize peacock in a plaid with a pink component, also had a shelter effect.
Gurung gave the title of his book for a collection, in which the idea was male/female trops, and the day -to -day bends were discovered between the states, if you do, perhaps we are uncertain times. This was an interesting direction. To take, but Gurung did not commit to it, fell back, instead, rather than appear to be unrelated to the main subject.
It was as if Gurung reached those two streets, Robert Frost wrote and looked back instead of choosing one to go down. The result was a collection that had no clear direction.
