Photoshop’s beta added just the third-party AI model to the generative filing, and it changes how you edit. You can stack several instructions in a prompt, reference to the original photo, and take the results without micromeaning to masks or fingers.
Aaron is coming from Ness with you ForkThis auxiliary video shows how fellow models sit next to the firefly in the model picker and handle complex, condensed signals in the same nearby. You have removed a logo, added the clouds, and after selecting the entire image, a overall cleaning is done at a time. The major shift reference is: Instead of typing rigorous commands, you describe editing as if you are talking to an assistant, and the model interprets what is in the frame. This uses a normal credit per run, and the partner models return a result at a time, so you rejuvenate by reproducing three thumbnails rather than cycling. You will lift it where these models excel and where they stumble, which matters when you do not want to shift the tone of the right edges or skin.
This thoughtful video also compares the results of the model on the same prompt. “Fill the room with the medieval-century modern furniture” produces a reliable, style interior while preserving a real shelf and then dresses it, which is actually the kind of relevant editing that saves time on composites. Flux.1 kontext (Pro) is literally and clean with typography and straight-ease objects, while nano banana is more stylized and can flow in creative hallucinations. The firefly remains the safest option for commercial needs and gives several variations per run. You see where photorialistic lighting is and where the face or hands still travel, which meets expectations.
NACE proceeds with a change in look and sets the swap. A studio portrait turns into a sunset scene on the Arctic Tundra, which highlights clothing and skin. If you have made it by hand, this type of global re-light layers, blend-iFF, and dodge-and-barn will take. He also tries to edit a desk scene that removes the computer, adds a phone, and reposes weapons. A third arm is carried, then the next pass fixes it, which is a clean performance of the mentality “Keep the Itaret Fast, Keeper”. Polyoid treatment test shows how these models can pack many stages such as frames, textures, light leaks and backgrounds in a sign without breaking the original composition.
Not every test land. A black-white picture with “Storm Clouds, Eagle, Lightning” separates with mismatched tone and dirty subject separation, the precise case where a manual selection theme, sky swap, and careful edge still wins. A “Make the rocks more interesting” shows how vague instructions can go to fantasy geology, then when you are revived with the same words, snap back, reminding you to guide the style and obstacles when you matter realism. Hair-collar and wardrobe editing are surprisingly solid, but you still want to scan for subtle stretching or shifted features before delivery. Watch the video above for full randon from NACE.
