Wednesday, June 4, 2025
spot_imgspot_imgspot_imgspot_img
HomeArchitecturePermanent Appeal of Ingo Maurur's Golden Ribbon

Permanent Appeal of Ingo Maurur’s Golden Ribbon


“I didn’t want to angry GowdiThe spirit of, “The departed German industrial designer Ingo Maurer said, when he was commissioned in 1997, to dream of a light for Casa Botin, the 1890s building like a fort, Spain, Master Antony Gowdy, the Master of Modernism. He had a solution:” Another floating ribbon! I chose color gold because it seemed to be the best suitable for the physicalization of light. It exceeds a bright object; It has become art work without any intention. ,

Stability in the library of Edwin Lutyens English Manr, an Edwin Lutyens designed by Robert Caturier.

Photo: Tim Beddo

Face head person photography portrait in image can be Happy Smile Adult Body Part Finger Hand and Accessories

Maurr, at work.

Photo: © Ingo Maurr

Maurer said, “Another,” because he had created such a surrealistic stability three years ago for the Foreer of a demonstration art center in Tel Aviv. This piece, which is designed to order, contains two layers of aluminum, which are seen by hand by craftsmen, who are specialized automobiles and airplanes experts, then coated with gold leaf. The results meet with a bit of trimming caught in the air.

“It looks like a ribbon that is floating, which we think about objects, suit it,” in Ingo Maur, the leading axle shamid of the product and project design explains. “Because, of course, we work with things that illuminate, but they also throw light in the sense that they are weightless.” They estimate that the studio has built about one per year since that origin, many of them are landing statusides, such as a piece that architect Steven Harris and designer Lucian Recene Reece Roberts inadvertently hover in a manhattan home dining room.

The image may have furniture chair bookcase publication book and plate

A Manhattan Town House by architect Steven Harris and designer Lucian Rece Roberts.

Photo: Scott Francis/Otto

Decorating the Marshastourt, in the early 1900s early house by Edwin Lutyens outside London, Robert Catourier saw a golden ribbon in the auction that would suit the library completely. For a long time over 25 feet, in his words, “a nail-beeter,” to say at least. But, as it would be in luck, there was suspended, through the cords attached to the top floor so that the complex plasterwork roof was not damaged, this was perfect of the poem. “This made the room very contemporary,” they explain. “And this was the point of exercise – to give a blow to the room that brought Lutyens House in the 21st century.” Ingo-maurer.com

Ingo Maurr’s Golden Ribbon is painted AdvertisementS may be an issue. Never miss a story when you agree Advertisement,



Source link

RELATED ARTICLES

LEAVE A REPLY

Please enter your comment!
Please enter your name here

- Advertisment -
Google search engine

Most Popular

Recent Comments

Enable Notifications OK No thanks