| Photo: Richard Butler |
With S1ii, Panasonic has continued the tradition of recording “open gate”, which uses the entire sensor area, like S5II, produces about 6K 3: 2 image (although the rolling shutter of S1ii is quite sharp). This mode provides great levels of expansion in the post and more flexibility; If you are working on a 4K timeline, you have the right amount of room to resume a shot, and you can use the same footage for both landscape and vertical output.
The camera also has a slightly less resolution and 5.1k Open Gate mode with expansion. It cuts on its flexibility, but allows for the first for full-frame lumics cameras: Open gate recording on 60p. 5.1k 24p and 60p mode clearly expands the same level.
The 4K modes of the camera are all oversless with 6K capture, and have similar levels of contestants such as Z6iii and EOS R6 II, even up to 60p. S1ii complete-width 4K cannot manage 120p, but the mode only requires 1.24x crop, rather than 1.5x crops with Z6iii. So when there is some deficiency compared to slow framerts, it captures a tad in more detail than Nicon, and will come with a small change in your viewing field.
If you do not prefer oversampling, S1ii 16: 9 5.9K Capture Mode and 1.89: 1 5.8k Capture Mode also offers, which are available up to 60p. The additional resolution provides slightly greater expansion and more flexibility in the post, although 6K is not enough as open-gate mode.
Raw video
Like the S1rii, S1ii can record raw internal, a native 5.8k area of the sensor up to 30p, or capture up to 60p to the native DCI 4K area. This mode can be useful for those on professional shoots who need excessive control over their footage, but we explained for reasons In s1rii rightupRaw Video is not something that most shooters will find useful. In short, it does not offer the same benefits that still shooters expect raw images versus JPEG people, and it will require a lot of post-processing work, especially if you are using modern mirrorless lenses, which improves geometric deformation as part of their optical formula, as not extended from the function of Panconic Raw of Panconic Raw Is done.
S1ii is completely bursting with video mode, so this observation is far from widespread. Our Chart their details Our initial reviews include 166 different options, and this is also not a complete list of all configurations you can do. However, our testing suggests that it is very capable of producing high quality footage, even rapidly on Framrates. Make combination with all video assistance features that include Panasonic, and it is one of the most flexible hybrid shooters we have seen.
