Maga ganszyniec reappears the B-621 chair by Marian Sigmund
But Salon del Mobile 2025, Furniture Heritage presents, a new collection that brings back the 1950s Polish design in contemporary conversations. Under the creative direction of designer Maja Ganciniak, the project almost exposes and explains the B -621 almost forgotten ChairOriginally made by modernist designer Marian Sigmund. Sigmund, a prominent person after war Polish architecture And worked with a page on a series of furniture designs, in the late 1950s Bentwood The chairs for Western Europe and Scandinavia are lucky. Although widely distributed abroad, many of his designs faded from public memory in Poland. Now, after six decades, Page and Ganziniak have revived one of their most sophisticated forms. ‘Our new product is somewhat later later – we know the author, but we are working with a ghost trace,’ Ganszyniec says. ‘This work is actually design archeology.’
Courtesy of all images Furniture
The ghost of a chair becomes a new arctype
The collection contains two pieces: a dining chair and a lounge chair, both were marked by the backrest flowing upwards that defines the ergonomic style of Sigmund. Archival photographs and rare documents work Team She is engaged in achieving archaeological design of ‘Archeology’ to adjust dimensions and materials for today’s standards without compromising with the soul of the origin. Eliminated Engineer and artisan Bentwood contributed to his century chronic expertise in technology, combining traditional steam with accurate CNC processes. According to durable design goals, chairs use low foam and are available in uncontrolled versions to reduce environmental effects. ‘Today’s society is different after the war-we are long, widespread, and live in different ways,’ Ganszyniec explains. ‘We have changed the ratio accordingly and reduced the environmental footprint by limiting foam and offering an uncontrolled base version.’
This project almost forgot the B -621 chair exposes and reinforces
From Polish factories to the global stage of Milan
Heritage 621 Debut has a particular historical resonance: Sigmund first displayed in Trynell de Milano in 1960 – and 65 years later, his design returns to the same city. Nevertheless, the collection is not in the form of a tribute. Instead, it marks the beginning of a comprehensive initiative to revive and revive arithmetic pieces from its design vaults. ‘This is the first step in the creation of a broader range of re -versions prepared from the tree archives. With classic thongs and new designs, now we aim to create a consistent family of vintage revival, ‘ Ganszyniec adds. Established in 1881, Page is one of the longest furniture manufacturers in Europe. The company continues to operate one of the oldest Bentwood factories on the continent and exports to more than 40 countries. With Heritage 621, it confirms a unique offer: not as inheritance apathy, but as continuity through crafts. ‘Page is not chasing. We are not about fireworks-we are about cool accuracy, such as a well-tuned suit. ,
The chair was originally made by modernist designer Marion Sigmund
Page and Gansziniak have revived one of the most sophisticated forms of Marion Sigmund
Pagede furniture collaborates with designer Meja Ganjinic on Heritage Collection
Project Information:
Name: Heritage
original design: Marion Sigmund (C.1958)
Creative direction and new form: Maj Gansziniak Studio , @Studioganszyniec
Manufacturer: Furniture , @Paged_furnital
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Edited by: Christina Vergopolo | designboom
