Offerin on the left bank can forget the unrest of the outside world, inside the cool, cool, venue of the Ganerael showroom, if only in a moment.
Although every brand in fashion can feel, well, like a punching ball, Pierre Mahios have focused on the quality of the best strategy for indefinite times. For spring, he focuses on the polished look on nonchalat, which is the hallmark of Officein Zenarel, soft yellow or black in materials such as texted doby cerrsukar, the lightest Kashmiri that he has produced so far, or a wool-linen-silk mixture that is the highest offerings of the brand till date.
“This is really a question of comfort and approach,” the designer said about round shapes and drop-shoulder sleeves. “This lightness and tenderness is what we all really need right now.” Daily classics-An editing of weaving, denim, jersey, or fresco wool for men and women-is a company with seasonal statements such as a hybrid shirt-jacket that Maheo “looks at an expensive shirt or a one-story jacket, as a cut in Wool-Silk-Cotton. In addition, the fast-looking gray cotton leosel had a zip-up work jacket; Both came with easy, tailored drawstring trousers. Kashmiri or light wool-tensel knit slipped on the T-shirt, in pigeon gray or tobacco suede, gently structured work jackets looked like pieces of work that could live forever.
Similarly, the women’s lineup focused on the silhouette yet comfortably refined in rich materials such as linen, cotton-kashmere blends, brush poplin and Japanese textiles. The game of a subtle material appeared in a three-tukra suit and Breezi popover, while it presents the beige in these images, cut into a flakened linen of a dozen different colors; A staining optical print added interest.
Strong seasonal statements included silk, matte Japanese cupro included a oyster-colored suit, ribbed leather cuff and a round bomber with collar and a bustier with a fold-down detail. Raw edges and odd details gave some silhouettes an additional shot of interest; A jacket from the archives – a favorite of Maho’s wife Nina, with a tuxido lapel on one side and a suit on the other side, which was now re -seen in Black, was a standout. The piece alone embodied the art of the Parisian style neatly: chic, little offbeat, and sometimes so subtle.
