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HomePhotographyNikon 35 mm f/1.2S first impression on hands: optical excellence

Nikon 35 mm f/1.2S first impression on hands: optical excellence


Nikon has created a compelling lineup of Prime lenses which features a rapid aperture and premium optics. The 135 mm f/1.8 plana telephoto and 85 mm and 50 mm f/1.2 lens anchors, bringing incredibly bright aperture to normal borders. It is understandable that the logical forest in wide-angle is going to start with the new Nikkor 35 mm F/1.2S.

The sticker shock is real, but the price of $ 2,799 is somewhat appropriate by extraordinary bright optics. I joined my hands on a pre-production, but took a very testible sample to try out, and put my dislikes aside for a 35 mm focal length, I tested it on the streets of Calgary in the city Wandered to do.

Nikkor 35 mm f/1.2S is an animal but it is also a beauty.

Nikon 35 mm F/1.2S First-Luke: A large aperture requires a large lens

It is a heartfelt lens to take throughout the day. At 37.4 ounces (1,060 g) with 82 mm filter diameter, 35 mm nicker is about the same size and weight of 50 mm f.1/2. Controls are very simple with the manual focus ring and some adaptable buttons that are very large and smoothly twisted. Like all premium S series lenses, Nikkor 35 mm is completely meteorological and feels like a high quality product. The larger the 35 mm f/1.2 felt well balanced on the Nikon Z8, which I tested it. At the end of the day, I did not feel excessive burden by the combo, but this lens would add some noticeable weight and wholesale to otherwise fully loaded camera bags.

Close-up of a black camera lens characterized by the brand
Nikkor’s lens represents the best of the line.
Building labeled with graffiti
There is a real beauty for a sense of depth that provides F/1.2 lens.

Colorful paintings of a fish with complex green and orange scales and a vivid red eye are set against a bright blue aquatic background. Bubbles float around, adding a sense of movement in water.
A flat surface shot on f/1.2 gives some indications of excellent acuity inherent in this lens.

Close-up of several metal chains hanging in front of a bright yellow wood background, put different shadows. Light highlights chains and wood texture.
I like the form of focus infection from far from nearby.

Nikon 35 mm f/1.2 s first look: you get what you pay for

Nikon is throwing all possible coating techniques with Meso Anakar Kotings, Arneo coatings and its nano-christal coating in this lens. Who knows what all that means, but I can tell you what it does: Flair is quite well controlled, seeing the big front element on this lens. The wide-open lens displays excellent opposite and minimum ghosts when pointing to the sun. Stopped down, the ghost becomes a little more clear, but is still not very distracted. Sunstar is also quite pleasant with different tines that dramatically spread into the frame.

Close-up of a camera lens showing inscription
The 82 mm filter is not very difficult for the source.
A person moves with a large, ornate brick building with a long, arched windows in front of a pavement. The sunlight puts shade from nearby trees on the facade of the building. The atmosphere is calm and reflective.
On the streets, a 35 mm is at home. It does a good job of capturing the whole story.
A small dog walking at the intersection of a sunshine city. They are wearing a hat and casual clothes. Modern buildings surround the area, and the sun is shining brightly in the sky. Traffic signals and a lamppost are visible.
Flair resistance is an excellent thanks to innumerable lens coatings.
A person with curly hair stands on a crosswalk, wearing a deep jacket. They face a crossroads surrounded by modern buildings and are waiting to cross. The scene is lit with the warm glow of the sun, adding long shadows.
I like the way F/1.2 35 mm distinguishes the main theme from the scene.

I found that the twin running glass elements is spright and accurately accurate with STM motors. The Nikon Z8 has a sophisticated autofocating and tracking has worked well with a very shallow depth of the area displaying this lens. Nikon has engineered a well -round aperture design with 11 blades, which is possible to maintain the circular as possible. It is a lens that is capable of very shallow focus, so let’s talk about it.

Close-up of a person who adjusts the focus ring on a black nicon S-series camera lens. The background shows the blurred tree and a wood surface, suggests an external setting.
The focus ring is large and easy to bend. It has a good level of resistance.
A colored street has a line of recycling and garbage compartment mixed with yellow, green and blue lids. The rear wall displays vibrant, abstract graffiti art in pink, yellow, blue and orange colors.
Sometimes the street is gross and sometimes they are colorful.
A brick building with large graffiti tag covering its walls. There are modern buildings with adjacent glass windows. The sky is clear, and the light suggests a sunny day.
Late light of winter is often warm and directional.
Black and white image of a person walking on a dog with a city road. They are undergoing a building with a large shade cast on a closed garage door. Another person walks in the background. The road is mostly empty.
The focus speed of the lens is quick and accurate.

Nikon 35 mm f/1.2 S first look: Beauty is in Bokeh

As you move towards the broader category of lens design, you get more depth for a given aperture. Nevertheless, a 35 mm lens with the opening of F/1.2 can provide a soft background that shows a subject differently. I really enjoyed this Stark separation while shooting the lens on the road, but is the quality of Bokeh pleasant? The answer is a resounding yes.

Road view
Sometimes bokeh can be subtle but it is always pleasant.
A man with a beard and mustache, wearing a black HUF T-shirt, is looking at the camera. The background is blurred, showing a dim light indoor setting. The image is in black and white, which highlights the features of his face.
Shooting environmental picture is a fort of 35 mm lens.
A man with short brown hair, a goat, and blue eyes is wearing a brown jacket with a wool collar. He stands out with blurred buildings in the background under a clear blue sky.
If you want the shallow depth of the field, you can just get closer.
A vintage comic book page is located on the ground between dry leaves. The page depicts several panels with a man's black and white images that are talking to others in a hat. The comic appears old and worn.
Loca is very well controlled which is rare in ultra-fast lens.

Specular highlights F/1.2 produce a pleasant little cat -shaped shape and the background never looks rigid. When the aperture is closed, the highlights are round and even visible. It seems that no soap-bulblass effect or onion rings are either present, which contributes to a large extent infectious infections in the focus range. You can see the ultra-shawl for the focus when the shooting portraits shut down, but I appreciated more natural forms for the background, when F/1.2 is shot at distant borders. Coupled with the fact that Nikon Z8 could shoot super-fast shutter speed with its electronic shutter, I did not need to use ND filters on bright and sunny days. I found myself enjoying the experience of using this lens despite my general despise for this focal range.

A convex mirror and an orange warning light is applied on a wall above a sign reading
I did not find too heavy to carry the weight of the lens.
A close-up of a road sign with a left arrow and words
You can actually pronounce the foreground with a fast 35 mm lens.
In the red jacket, a person walks a small white dog on the pavement of the city. Another person reaches the opposite direction. Road is busy with vehicles, and bare trees line the road under a clear sky.
I will finally find a 35 mm lens that I use.

Longitudinal chromatic aberrations often ruin the pleasure of using fast glass with very bright aperture. These colors that infect the out-of-focus regions of the image, are very difficult to remove with software and may look quite distracted. I tested the lens on its most wide aperture, to see if there was any color fringing and the results turned out to be excellent. I only saw the most modest of the color pattern and nothing was visible that would cause stress. It is clear that this lens has been engineered to give immense image quality.

Nikon 35 mm F/1.2S First Look: Optical Excellence

Although we could not test the sharpness due to the pre-production nature of the lens, I do not doubt that it is sharp. I tried to shoot a lot of images at f/1.2, to see what results I would get and from the images, I believe that the lens is sharp across.

Whether you like 35 mm focal length or not – and I know that most of you do – no one denies that the new 35 mm f/1.2 is alternately luxurious. I did not hate this lens, even if I usually dislike the focal length. In fact, I loved it a little. It is bound to be a very popular lens and if you can manage expensive $ 2,799 value, there is an optical gem to shoot.



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