For Mughal’s new creative director Miguel Castro Freetas, the brand’s dream is Paris – but there is always a place in their head (and heart) for Antwerp. Today, in a shady cruelist underground car park in the hip of Paris, but with the 11EME Arrondasement, was marked to show the debut collection of Freetas. The site took me back to the late 90s, when you knew that there was some ideological and unrelated, which usually incorporates the influx of Belgian designers in the city. (A luxurious and early -1998 -Olivier Vescance shows in a stunning menosing industrial space in which swinging lightballs live in my mind.)
For Freetas, the thinking was that it would be better to show the site, through the power of contrast, their accurate and accurate vision of the Mughal. This meant that the iconic hour glasses of the house was silhouette – a rolling of the shoulder, waist and hip, exaggerated topography – strict double face wool or satin stitch in the colors of concrete gray and a pinky beige in the 1950 T. Not contrary to Lakeler’s powder. Freetas also wanted to bend in exemplary handwork Mughals were once famous, and which he wanted to restore in its name: wide jeweled choli, as you were wearing a chandelier, but rejected from any glow and shone with the quality of the fact that they are in the colors of the same mat. And, a curve in the feather-fau-fau marbau from the 1940s Escaye Chubbu (like a imagination of Joan Croped Mildrade Pierce), To sprout a jacket to a jacket, such as the model wearing it was a middle change from a human to avian.
The first land of Freetas, of course, among the new beginnings, not only in Paris but also in Milan. , Gift was given, but also find a way to add your name above the door, which is not so easy because both homes are blessed with extraordinary and exceptionally identifiable brand images. If Vitale loved everything about Jiyani Versace’s work and re -prepared it for General Z, Fritas first found a common base between him and Theory Mughal through his shared love of the Hollywood golden age. Films, Freetas said in a preview that I was with him a few days before the show and wrote about here, provided him with a theoretical structure for the collection. But then he brought his beauty approach and preferences to bear the proceedings. So yes to Va-Voom Mugler Valkyries, but a fantastic yes for the cool nocturnal organisms of fashion’s 1990s Flemish decree.
What does it mean in practice: the minimum other skin suits with a skirt with the body explosion with wings, or is wrapped in a very mid -century cloth; Exaggerated nip-cam coat and fabric in black patents; And, a scrolled rosett motif on a luxurious black leather dress with the next spring’s day rigur, stood away from the neckline body as a scrolled rosett motif stood away from the body. Freetas became clear with this first outing that we have a terrible view of the red carpets around the world: in a magnificent gold water, in a luxurious gold water suit, whose jacket was made in gloves, or silver stars like Maglar Angel wore a body suit with pin sharp pants, or as a shiring. All are very mugger, and all very freetas, and all are likely to draw much attention. Moving forward, however, it would be nice to see him bending in the low conceptual point of brand, as he has to make talent and skills to do so; Her stitch is still revealed, but with an eye for women’s everyday life, even it is an exaggerated version. And talking about; Next time let’s get out of the darkness of today’s site, to shine a light more clearly on the new era of the Mughal.
