Monic Luhilier showed his excited, colorful spring collection in the afternoon of a magnificent sun New York City this week. The designer, known for her bride’s gown and eveningwear, made zero in the zingi dress with a sense of purification for both day and night in this season. The designer said, “I wanted to make it feel more modern and really my girl is Honon on it.”
Focusing less on heavy prints or embroidery, Lhuillier allowed its striking colors and smart silhouats to be the focal point for spring – but not expecting minimalism. A fresh, sculpture asymmetriced neckline appeared in its inaugural frock in the bright meadow green with a high kiln, while taking it on a white T-shirt dress was modern, thanks to the digitized floral print. For a designer who specializes in dressing, there were clear efforts to make things a little less precious. Take her draped jersey dress with artful built-in interest, which could have been easily thrown and converted into a suitcase.
Night time is clearly its specialty. It was clear in a strapless ball gown that was with a coronated black lace dress adorned with blue metal rafeia flowers or a drop-vest skirt that was sexy and timeless. A little wilder was her very on-trend leopard-print to-piece suits and sequel column gowns; They were trying to reach a little small customer – however, at the price point of Lohilier, they could not afford them.
The showstopper was the sunset-head chiffon number, with a cascading scarf cape behind it. Forget a dress that makes an entrance; It was all about getting out.