The schedule of my Paris show began with two independent female voices of Julie Kaggles and Hodakova eight days ago, and today it closed with another, Meril disease, which stalled sporty leveled embroidery clothes, low-slong multi-belt leather skirts with hand woven sweaters, jewelery sepin tweed coat, and floral English tweet shirts for girls, girls’ sapthi english tweets, and wreath shirt shirt, and floral-check shirts for girls. Showed a strong and strong funny collection shrunk. Jacquard sweaters and large size leather jackets for boys. (To be clear, it is a loose group, which has been informed by presentation; I mean, you know, wear what you want, no matter what you want.) In the global luxury brands, in the Paris season filled with so many (male) debuts, the homogeneous and conclusion of that opening and concluding seems to be encouraging and enthusiastic; The voices of the designers can be heard loudly even without all the means used elsewhere.
Rogi, of course, is currently acting as a female juggling, as she accepted in a beautiful pre-show visit behind the stage. “Obviously, a lot is going on in my life,” he said with a laugh, “what happened to Merryl’s disease, my new Nitwear brand for Bibi Waice, and started as a creative director of Marni. (She told that, her husband and her family have settled in Milan with rural Belgium.) I have a lot of comparison to the musicians to say something; I have always compared them; Such as the good fortune to play in different bands. Sometimes you want to make different things as a designer.
He said, for Meril Rogi Vasant 2026, it meant that she felt that she could let herself go, and have a little more courage, the feeling inspired by reading the 1990 autobiography of the late ingredient downtown actor and writer Kuki Mueller. Black -dyed to walk through clean waterThe life story of the Mueler gave Rosa a desire to respect the way of living the life of Mueler; It was an emotional, not aesthetic, tribute to him. Rogi said, “I wanted to translate his lightness even in his most difficult moments.” He added, “There was freedom for him and a freedom. I am prone to lightness at this time.” “I am not feeling heavy, heavy, heavy to things. The last thing, the last luxury, even if that word is complex, is lightness.”
That impulse touched everything. It turned the order of the runway show to the order of the night from the normal day to the night. Rodds started a layered under a Slauchi beige trench with acid lime bouudorant slip and kingfisher les pagnoir, in which the practicality of the day was mixed with evening glamor, before the most famous line about the mueller being wild, but the most famous line about being wild (I am brightening it) on one side) On the satin dress. Fucked, bow-prudent leather, or later, presenting a wedding dress, traditionally an old school Paris runway show, closing look at the show, about two-thirds through the lineup. “Just because you are married, it does not mean that life stops,” Rogi said it was the issue of that current order. I looked at the rest of the shows, all small swinging dresses – one of the major seasons stories – some of them were worn with a daily -cake of Belgian Jewelers Wouters and Hendrix with a graphic silver choker and a molecule of boil necklace. I told the disease, “Surely it seems that she is still having fun.” “Maybe he may have chosen polygamy after marriage.”
It was the bright attitude and female-centered approach of this collection (even though it had 12 men looks, Rodh has given the most look ever) that made it so good. This was a unique compelling way to end the Paris season. Rodh recently went to see Girls The show at the Momu Fashion Museum in Antwerp, which celebrates the power of young girls, and has also influenced it. He said, “This is not about seeing the past, but now what is happening, it is about it.” “And this is interesting, because there is not much of it right now.” Not really. But Rods, in current form, are doing a lot to create balance.
