Sun Valley, in the heart of Idaho, where the snow -filled mountains are spread, Studio mountain HML The project manifests itself as the expansion of the land, rather than its disintegration. Lighting the light metal through the windows, highlights the grain on the floor of white oak, while the Italian Calcutta Viola illuminates the marble with its specific purple color. The difference of light and material makes the designer Sierra Fox “Visual Hormony”, which, for him, is a legend about the stability and inequality in the architecture of the mountain.
The project interacts between high-demonstration requirements and artisan techniques. Tadeelakt Showers- Planning the plastering method of a centuries-old Morocco is evidence of traditional crafts relevant in contexts. Custom millwork by local craftsmen from Oak + iron rituals Ensure the residence with analog functionality and heat. This integration extends to the kitchen of the chef, where a 55 E lanch range sits with fisher and pykel devices.
The challenge of creating intimacy within the detail was addressed through the material layering – a strategic placement of textual elements such as the tumbl limestone tile against smooth surfaces to create conceptual depth, which is properly scored to large places. This approach continues throughout the house, where the integration of the natural finish – renovated wood, nickel, flagstone and Roman soil – makes a physical language that feels both welcome and harmonious.
The residence focuses on a broader discourse about luxury and stability in terms of mountain architecture. While the earlier hill houses often emphasized rustic material in blind heavy compositions, the project appoints natural elements with a mild touch, allowing the surrounding landscape to provide primary visual effects through those generously proportional metal-clad windows.
For more information, please visit Studio-mTN.com,
photography by Amy Mazenga,