This can be the only collection where the polite, functional apparel of the postal worker is a source of motivation. (And in fact for post workers, for their public service, sometimes listening against all obstacles.) But then we are talking about Margaret Hell, British designers who have introduced everyday and an art, and have created some best clothes – real, thoughtful, intelligent, sensitive clothes – this or any season. These were certainly not about the hopla of the big reset of Spring 2026, or whatever we are saying; Instead, it is happy when things calm down and even after that, and we all think, ‘Okay, what are we really going to wear?’
“This collection is about ease and balance,” Howell said. “I wanted the clothes to be relaxed, with soft stitching and generous shape. It’s about the ratio, always with the feeling of wear. The pieces work quietly together, comfortably.” Which takes us back to Melman. Howell gave a vintage uniform: Short, zip-front jacket, matching shorts in crisp black wool, was a recurring figure here, the basis for his sight of spring suiting, whether the basis for his vision, whether despite the penis, and worn with a striped shirt, which was not enough to gossip to the naked eyes, until a noted strapping was seen.
In short, this calibration of some prosecutor was specific to happiness on the offering here: the gray woolen sweater was bonded so that it looked like a traditional cruc, when you felt it was actually a very sports hand; Ventible jackets with your store-flap collar, such as cutting the trench coat, in the room, but briefly adding a small a small silhouette. In the 90s, there was also a throw of the howell, in the 90s, with a small, clean -cotton jacket – in the linen/silk, says, in a delicious shade of earthen brown, part of its palette with parchment, pooter, chamomile and a dust pink pink was so delicate that it looked like a colorful memory – a long, a long -looking, slim scar. The update was that it was easy to move into it, the team gave it the result of trying it and giving their feedback.
This is not the only way to help Hawl’s colleagues: The dotted silk scarf that pop up here and came there because a long -term employee of Howwell wore her, who is decades old, and seeing her, Hellow wanted to bring it back. Something attractive about that; One gesture of something used to go back into the headlines and the headlines, but without any attendant Hupala, which has become a fashion story today. Instead, for Hawell, it is a frequent measured and a past position that is the past, what exists, and what is the future.
