When you think of class statements, it is all about the silly crush or who has cheated on a test. But films like Statement Take things to a full second level – enter into the realm of life and deathAt its core, the film focuses on slow burning Revenge planHowever, This is just more than your specific pebackIt is about the game of crime, fear and mind, all are playing within the walls of a middle school. Yuko Moriguchi is at the center of the play (Takako matsu), A soft -spoken teacher who gives a surprisingly fatal speech in front of his class.
Here, Yuko’s young daughter was murdered, and there were two criminal students he taught herself. Apart from the overall shock value of the subject, the delivery of Yuko is as much as it becomes. He is not to cry or beg for justice because he has a fixed plan, and once it is set in speed, no switch is there. Statement‘The main sales point is not only the central subject of revenge, but this method of cleverness comes out. It is very carefully prepared, thanks to the silent, drawn approach. All in all, True frightening This does not happen in the moment, but the act of looking at the results is gradually not less without any kindness.
‘Confession’ causes stress through psychological tricks and power plays
Revenge is already a very layered concept, so it is interesting to see twist and turn Statement Adds to the mixture. The moment the yuko drops it Banging revelation In front of his stunned class, real Kicks in game gearOne thing is clear from the gate-go, She is not only punishing the students who killed their daughter; He is out to install them to destroy each otherThe case in the point, there is Shuya (Yukito Nishi) Slow descent in madness. He begins as a smog, self-absorbed child who thinks that he is more clever than everyone. But yuko Psychological war Strips her of that ego layer by layer. His cruel step? Lying that he infected his mother with HIV. Although it is far from the truth, this idea alone is powerful enough to send him a spiral, mostly because he believes that he is losing one thing that gave him the purpose – his absent mother needs to be influenced.
Connected
then there is Koru FujiwaraNaoki, whose guilt is practically separated from him being alone. Their own pace inspires them to close themselves from fear of being contaminated by the outside world – both literally and rhetorical. While his mind is in the caves, all the yukos have to sit back and see. The phrase “Badla is a dish is the best served cold” comes into life in every aspect of this film. Every step is accurate, bound to be each result, and in the end, exactly No one survives without injury,
Talent of ‘Confession’ and its incredible storytellers
Nothing in Statement The straight it seems, they are always hidden layers below. From the moment Yuko tells his class that his daughter’s killers are among them, the story takes a dark turn. This is not just that, it is also the fact that always real what is real and what is yet another MindTake the version of the events of Shua, he makes himself as this wrong talent, with one Talent brand It is ignored by the world. But as the story moves forward, it becomes clearly clear that it is not the sad mastermind of the film. He is just desperate for meditation, so he crafts this story that makes him suffer, not the demon. The reality of all this is that he is under the control of as much as he thinks.
Then, of course, there is Naoki, which begins just as another criminal, but somehow becomes a full-psychological debris. At the level of the surface, his breakdown is about guilt, but also the fact that he is highly self-absorbed. As a result, his belief falls under pressure from Yuko’s attacks. Even Yuko, the woman who draws all the wire, is hiding a bucket load of her own secrets. She only reveals the details of her harsh plan at her speed. From one side, She controls the way she controls her students, the way she controls her studentsThe result is a film where every truth is bent, and every The perspective is different,
Statement
- Release date
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June 4, 2010
- Order
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107 minutes
- Director
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Tatsuya nakshima
- Author
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Tatsuya Nakshima, Kana Mino
- Producers
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Yoshishyge Shimtani, YouTaa Suzuki, Minami Ichtiwa, Yoji Ishida, Jenki Kavamura, Hiroki Kitano, Koji Hayakutke, Toshiyasu Omia, Takahisa Miyaji, Shinoichi Morozi, Hiroshi Moroji, Hiroji
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Takako matsu
Yuko Moriguchi
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Masaki Okada
Yoschitu tarada
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Yoshino kimura
Naoki’s mother
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Yukito Nishi
Shuya Vatanbe
