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HomeDesignInteriorsLongchamp's major return as a cultural + design landmark

Longchamp’s major return as a cultural + design landmark


Longchamp Re -presented its prestigious Soho flagship, unveiling a bold new chapter in its architecture and artistic journey. The city settled in Manhattan’s heart, La mason unique The boutique has been converted into a place that merges the retail with a immersive cultural experience – offering more than shopping, but the design of the brand is a deep dive in the design philosophy, heritage and creative ambitions.

The origin of this remagining has a re -collaboration between the longchamp and the famous British designer. Thomas heatherNearly two decades after its original work on space, Heatherwick returns to re -apply the site with a new legend. The result is a compelling mix of artistry, innovation and perisian warmth, which is translated into architectural form.

Modern interior with a curved ladder with green accent, a round table with bags and books, and a pattern rug on wooden floor.

Redisine respects the bones of the original building, increasing its purpose. One of the most striking updates is the rearring central ladder. Originally made of steel ribbon, it is reborn in Longchamp’s signature Green – a vibrant route of swooping planes that guide visitors above the ground, such as climbing a hill. The dramatic characteristic sets tone for organic, flowing environment of boutique.

Modern store interior with wavy green and black ladder exposed the brick wall on the left, glass railing with effigies and stairs in front of large window.

Drawing a cynical, black marker of one-eye shape, wearing a top hat and heels on a red brick wall, with stars above and wavy lines next to it.

Modern interior with bright green walls and floors, characteristic of a curved ladder and transparent panel, create a future and open environment.

A modern interior with shiny green curved walls, transparent glass barriers and yellow handbags on the right.

A bright green ladder with wavy, uncontrolled lines and glass railings spreads several floors in a modern interior.

Above, the retail space is designed to feel less like a store and like an apscale, live-in scaffolding. The green tones rich with carpet columns on hot wooden floor form a dynamic interplay of round rugs, textures and forms. Vintage and Bespoke surgeing – such as the 1970s Croisain Sofa works sculpture by the sofa and David Nash by Rafael Raffel – anchor the room with both history and originality.

A retail store with shelves displays the interior and colorful handbags and purse showing tables, set against green walls and wooden floors.

Modern retail store interior with green columns, displaying various handbags to wooden shelves, and winding furniture on the floor with green patterns.

A tier's performance with a tray of folded scarf surrounds a lamp; Handbag cabinets appear in the background.

Longchamp relations for the art world are on full performance throughout the store. Private collection of the brand, with new commissioned pieces, gives the space a gallery -like experience. Highlights include ceramic and sculptures from artists such as Dorothy Loricate, Bobby Silverman and Tanaka Tomomi. Their functions echo the commitment of the longchamp for natural materials, touch surfaces and organic design.

A modern boutique interior with two armchairs, a small table, a green carpet, a central green column, the bag displaying shelves and large windows with a city view.

A long, vertical wood sculpture with organic curves is displayed in a modern store interior near a window and in shelves with bags.

In a deliberate change from traditional retail layouts, the central region has been opened to encourage interaction. Instead of fully focusing on product performance, the well -burnt place invites guests to gender and connect, which transplants the rhythm of a Paris apartment in the context of New York.

Modern retail stores display handbags with wooden shelves with interior, green pattern carpets, lounge chairs and large windows providing natural lighting.

Visual Storytelling continues with deliberate quirks: Neon Signage, hand -drawn frescoes by artist Andre, and archive objects that trace the early legacy of the Longchamp as a creator of leather tobacco accessories and travel games. These indifferent elements add to the space, provide a bridge between the past and the present.

Modern retail stores with curved wooden shelves on interior, display table, green pattern carpets, large windows, and on various handbags and accessories displays.

This revival is part of a large movement within the brand to reopen in-store experience. This reflects a change in luxury retail – from transactions to experienced. Creating a place where design, storytelling, and sensory expansion convergence, Longchamp is making a new type of head champion – a memory and human connection lies in.

A modern retail store interior with curved wooden shelves, displaying handbags, a wooden table with feces in the center, and a green pattern with a green pattern.

A modern interior hallway with curved wooden arches, large windows, exposed brick walls and light wood flooring with a city road view.

“Retail progresses rapidly, but architecture should be. We wanted to make some bold and joy, yet hot and time-like-apartments, inviting people to live,” Heathwick Studio Partner is called Neil Hubard. “From green-colored rugs from green rugs to curved furniture, which feel the custom but live-in, everything was designed to feel integrated and human. Even red brick walls set down to host rotating installations, to host rotating installations, helping the space in the industrial roots while making surprise.

Outdoor wooden decks with lounge chairs, potted plants and tables, next to a building with large glass windows; City buildings visible in the background.

The street view of a longchamp store with green and brick exterior displays effigies in the window and a green longchamp banner above the entrance.

A two -storey building with a green brick mask and large windows is a longchamp store; A green longchamp sign hangs on top of the entrance.

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Caroline Williamson Design is the editor -in -chief of milk. He is a BFA in photography from SCAD and can usually be found searching for vintage goods, the New York Times crossword puzzle in the pen, or the playlist on Spotify again.



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