Johnson Hartig said about showing again at Elizabeth Street Garden, “It felt a little bit like a victory’s lap.” Last time he did it, for Spring 2025Designer took his bow Lift Save a “garden” symbol. Meanwhile, this small green patch has been spared from the formation of a building. These days too, small victory is to taste something.
Opening the show was a Murali and drummer in uniform in the style of 1776. Then the models came to the Tricorn Hats, which were with wings, cocads and enclosed braids. When the “Stand and delivery” of Adam Ant was played later, the reference became more fine as military effects mixed with images of Bow Wow Wah Wah Wah Wah in Vivian Westwood. Harting’s anglophyllia did not stop there. Print-out of John Keats’ Od on a Gursi Od “, with famous lines,” Beauty is Truth, Truth Beauty “-left on each seat. The picture of William Shakespeare, presented in the dazzling crystal, appeared on clothes, and the closing track beetles’ revolution ‘was’ Revolution 1. “This is” time for a love revolution, “Harting post-sho declared.” Beauty is more important than ever; It is one of the most powerful forms of peaceful opposition. “
Lovelyness developed along with the designer’s rebellion. The use of textile linen of hearting was particularly notable. Not only was it employed for colored striped pieces, like a shirtdress, but, most surprisingly, for a group of white tone-on-tone silk-screen clothing. “I have never done this before,” the designer said. However, Harting saw a connection between black-crushed khaki trench coat and brand people in this collection Fall 2004 Runway Debut.
Nevertheless, Libertine is prominent in its 25th year, with hearting mostly looking forward. The brand opened just a new-appropriate salon uptown, and the minimal tonal experiments did not show only its sevier fair; On tulle, logo lettering was made using rude strips of the same material. Some black jackets were bedzed with a “out of night out” message. write on!
