Huishan Zhang started working on his resort collection with the spring shown last September. “You think you have longer to think of things properly,” the designer asked to reduce the collection simultaneously. After talking to Zhang in several sessions, he gives a tangible feeling of being in his groove: he has hired many new team members, secured a new studio in East London, and says that everything is “running smoothly.”
Their customers will be happy to see that the new collection completes the normal wardrobe touch points of Zhang: Prime Day Time is separated (with some Fox-Or Trims) in bouquets and denim, and varies in many clothes, volumes and finish. In a preview, he sang a feather-chambon, hand-embedded minidress with silk, another minidress in his signature, hard-to-cries satin with embroidered crystals, and a wing-like train with a winged train, made of a new stretch fabric.
“I really want to create a design language,” he said, “For the resort, we wanted to make the woman’s picture more vivid.” This feeling was translated through impure elements and dark tones-the same cue of “elegance vs. rebellion”, which he detected last season, was a theme, yet-“was obtained in the” silhouette “inspired from the 1960s. As usual, a museum put the spirit of the collection. This time for Zhang, it was Naan Kampner, who removed his trousers when he refused to enter the New York Restaurant to convince his dress code; Instead, wearing a smoking jacket with your St. Laurent as a dress.
