Literroom includes many techniques in the editing landscape, but understanding how to effectively combine these stages, where the actual improvement occurs. Looking at a complete editing, start to finish, it helps to clarify how these personal devices actually work together.
Coming from Mickey with Eastern noise photo instructionsThis practical video runs through a single landscape photo, phase -rate processing, how to showcase all these devices into a coherent workflow. Mickey begins the image from the crop to focus on the main topic, insisting on appealing in the beginning, stressing the composition but eventually emphasizing the distracted details. Then he proceeds to implement the latest adaptive color profile of Adobe, a smart option is particularly suitable for increasing natural scenes. This step immediately improves the depth and vice versa of the color, establishs a solid base for detailed editing. Calibration adjustment – is often ignored – to strengthen the natural tone of the photo without dominating the original view, change the personal color channels subtle.
Where the process of Mickey becomes particularly practical, it is in the use of masking techniques to refine specific elements such as the sky, clouds and terrain. By using the intercepting feature of Literoom, Mickey shows how the exact masks can be obtained with minimal attempts. This is not only about improving the sky or clouds individually, but understand that separate adjustments in these areas allow more realism in your final image. This step alone can dramatically improve your approach to complex editing by teaching to think about photos in different visual layers instead of a flat image.
Mickey also emphasizes localized adjustment, painting light and texture that is using point color adjustment and masking on rocks and trees. This phase involves subtle but deliberate brushwork to ensure that changes remain realistic. Instead of relying only on global adjustment, their method gives you more control over specific areas, which is necessary when capturing natural landscapes. Mickey’s linear gradients and masks for selective lighting shows how targeted editing can effectively simulate natural sunlight. It is a fine but powerful technique, which greatly increases visual depth without artificial appearance.
A particularly valuable tip Mickey shares involve to take away after editing for at least a few hours. He suggests that when you return, you will see the picture in a different way, seeing mistakes or adjustments which were not clear during the initial session. This practical advice helps to avoid general losses such as oversten or unnatural contrast, which often creeps into the photo when edited in the same seating. This simple stagnation is often ignored but is important for the results of professional-quality. Watch the video above for full randon from Mickey.
And if you really want to dive into landscape photography, then look at our latest tutorials, “World Picture: Japan II – Search for the gems hidden with Elia Loki!,
