In the heart of Chelsea in New York City, a relatively baseless charcoal gray aspect hides an immersive world of sound. Sound -house There is a hearing experience that is at the next level, each subsequent floor of the building somehow manifests another complex sound system from the final. These systems are given home in each of the six floors McIntosh Labs And Sonas fabber In beautiful, considered places – a pure treatment for the ear and eyes. I got an opportunity to visit the House of Sound for screening A complete unknownA biographical film starring Timothe Chelmet as Bob Dylan, directed by James Mangold. Todd Matland, Sound designer for the film, offered insight into the process behind the film before the film, sharing a rear scenes, what takes to make a compelling and developed score.
Behind the door of the foger, the shiny white of the entrance gives way to the darkness of a theater. Huge charcoal lounge, easily enough enough for four, dot folded, expectant room, soft shadow throwing on the carpet floor. Acousic panels line dark walls, making sure that you intend to the score. Sound is a very integral organ for world formation, and many different types of types, vowels, microphones and equipment, the ambient sound was to be arranged in the guise with the soundtrack to create a coherent film.
Matland shared difficulties and also benefited Challemet from all its voices and most of his guitars. It is quite unusual for an industry that is very high about art, and is also very high about the bottom line. Mix was hidden in her hair, guitar, and was eventually mastered in the final score around the stage. This added an incredible level to the experience of watching the film, understanding the complications of the way an audience immerse an audience. The sound is incredibly powerful. The broad catalog of dylan has undoubtedly changed folk music, and of course the scope of music is normally. Whoever has gone to a very good concert, perhaps one of his, knows to be true.
On the next floor, looking at the left of the landing, a grand kitchen extends to the back of the kitchen. The kitchen opens in a two -storey chandelier, out with a chic courtyard. Experience is immaculate, huge metal carafs of drinks on ice, twin form the condensation pearls spread to the gleaming granite countertops, causing immense length confusion. Pizza, shake shake, to choose any type of drink-a New York-Theme night, coincidentally, a personal favorite of mine. On the right side of the landing, there is a defective projection in the McIntosh system, no point in the room is the sweet space to hear all the expansion. Volume and tonity do not change, offering an incredibly immersive sound experience. It was a cure to experience, the system was destroying Donna Summer, while not a sweat, was set coolly on the quarter volume.
This is the magic of the House of Sound: this is a place for those who actually appreciate the music, and listen to some of the best and most complex systems in business. All this, in association with real hospitality and a first class interior, gives all the heat of the house, just more upscale. Taking a lot of care to keep the space pleasant and high, the House of Sound team just does this – an ignition of sound and vision is cleverly hidden from the movement of the city.
Ornaments with a custom Mcintosh system completely, the next level provides a pleasant vision of blue and brown, vintage cabinets and chestnut leather that meets peripivinkle upholstery and the egg walls of the robin. Large, floor -length windows provide light and perspective, the mask of the exit sea hotel through the equipment.
Finally, we exit the roof for fresh air. Chelsea spreads on the landmark skyline, with a beautiful city view on all sides. Modern and luxurious, yet it looks right at home, it is the same where you want to disintegrate after listening to something intense.
To learn more about the House of Sound, travel houseofsoundnyc.com,
photography by Nadav Hawakuk,
