In the previous season, Harris Reid has snatched the walls of her ornate papering and scored for lace drapes in the sale of the British car boot. For the collapse of 2025, the British-American designer expanded the pride of his home-by more than one-and the living room furniture was excavated.
This is the ninth of Reed’s own name collection, and now Nina is parallel to a four -season term as the French House, the creative director of Rikki, where she continues her study of free femininity. For the occasion, he returned to the show of the show, which he was built within the Tate Britain’s Cavernus, Strobe-Litting Duven Gallery. A circle of familiar faces went to a string arrangement of the metalica in a cinematic parade. “This is only when we are no longer fearless, that we can start making,” he opened the show as Florence Pugh, who was dressed in a hooded and a huge corset gown -like clothes in the gown.
Armed with political upheaval, British punk, drag icon, and Victorian ladies, with reference and emotional drawing, Reid called back into its first collection created during the lockdown. He said, “When I was stitching in my bedroom and trying to make the theater and glamor things, everything is informed with a sense of rebellion.” -We platform and hand painted corsets.
It was expressed in a “more fine art approach”, a designer who is executed with a new sense of restraint, which is enamored with avant-garde, but needs its customer base with practicality Is. The collection began monochromatic with Reid’s Black Sharpi Paine. After cobalt blue and gold accents. Maybe a few season ago, he reflected, exposed Victoriana Crinolin cage would have been included in Tafa or Chiffon. Now, he acted as both weak self-risk and moments of armor. The breasts bloomed with gold leaf painted spikes and 3D-printed and hand-painted tanks, while another spear-cosmore climbed one meter from the corset bustline. “A dramatic size or silhouette is not done without a strong sense of intentions. Every look claims space, ”said Reid. “With a queue and women’s team, I am thinking about how we protect ourselves in ways that make us feel elevated and beautiful.”
He is inspired by the flowing bias cuts and draping of the Couturier Charles James and has launched the technical approaches of furniture manufacturers with her collaboration with Porta Romana. (The chandeliers of the inner brand are shiny and shiny blue for the runway). A set of hips with Georgian-era pages, using construction elements for an armchair organs, while using a basket weaving technique of sofa and materials, mimicking horsiting and increased other disruptive silhouettes. . Reed remains a proud British brand, this collection is fully built in the UK, used to create structured peplums with dedstock saveli ro wool that takes to the dairyas sour chiffon.
However, there is no rest here. Harris Reed is a brand with a red carpet-mounded state of play, specializing in event dressing. “People are coming to us for that particular occasion- Gramiz, a 40th birthday party, a CEO signature. This super-powerhouse is the initial to meet women who want to make a bold and unattainable moment, ”she explained. The designer Harris Reed is ready to push the woman out of the door and into her unknown – as she said, “Stay comfortable” when we cultivate our best ourselves.
