Ghani’s Dette Refastroup said she was thinking of the feeling of being more and more related to a specific place when she landed at home as a topic of 2025 collections. This is the second time when the Danish brand shown in Paris, and its words also applied to the collection as well as Ghani. A presence chat revealed that the refustment was also wondering where the brand lives within the widespread hierarchy of fashion, where the extreme (luxury and high street) are better defined than the beach, where Ghani sits.
Infection from someone’s home turf to New Ground is not completed one day, or in a season, but geographical changes have affected the team and challenged them to increase the bar. “I think we have detected more creativity,” said Refastroup, and in fact, a naval peacock with barrel sleeves looked impeccable, and the cautious tapestry panels that applied to a pair of jeans were artificial. I wrote earlier that Ghani is growing up with her customers, but the fall offer and its presentation had a new feeling of maturity. In this season, the collection had a visual harmony, a sense of development and the discovery of an idea, which was earlier missing. He said, skate skirt -over -paint trop was repetitive.
Strengthening the subject, the show was held at Hotel Pozo de Borgo, which was once called home by Carl Learfeld, and Prerna was taken from interiors. Window remedies reported tucking and draping that were used throughout the collection, and interior textiles, such as the above tapestry and taunt wallpaper flowers were used. “Ghani has always been about flowers and prints, and then somehow we left it a little, and we wanted to resume them, working with those elements in a different way,” the refreshment explained. Other GANNI-EISIMS included animal patterns (that suede-look tiger print was actually denim and check, which included a lumberjack plaid in apple Green). A coderoy suit and tweed jacket with lining-fabric sleeves introduced a touch of the country; Clodhopper’s shoes preferred to wear Swedish Clogs Refastrup in their garden. Conversely, the closing appears, with many pilgrims such as collars, there was an unexpected austerity.
Reffstrup was designed for a cocooning and protective theme, as she finds that “the world is still very noisy.” When she lived in Paris many years ago, she said that she was not very lonely to speak, but also “such a special time … I was just walking around the city, and I remember when I came home, I will open the window and hear the sound of the city.” He found them a rest. Danish artist-composer Frederick Valentin It kept in mind when composing the original soundtrack for the show, including recording, including “the sound of the streets of Paris and the sound of the map” and the song “Ghar, which I think I think when I look into your eyes / I feel light in your smile in a heavy world.” These words are in the sink with the instinct of the refreshment to wings the nest in this season. “I really hope that people will feel the tenderness of the collection when they also watch shows and music with artists,” he said. “We were really trying to make beauty with security.” Came through those vibes.
