A picture of the 1960s at Ferrari’s Manelo workshop-where Enzo Ferrari founded the famous automotive company in 1947-showed a glamorous woman, who looked at Ferrari artisans wearing fur and cat-eye sunglasses. During an in-study preview, Creative Director Rocco Ianon reported that the image resort 2026 is one of the main focus of the collection. This is important because it gives an example of the cultural status of the brand, a car manufacturer is so well known that “the word Ferrari is usually used as a complete comparative,” as Ianon said. Keeping this in mind, he prepared a collection that keeps the workshop in his heart.
The opening look business- and inspired by engineers working in science-oriented fields, in which certorial looks are made of coated denim trench coats and leather septs, often coincide with Ferrari-red relations. Automotive world references are recurrent, but always subtle, such as car silhouettes are developed through zip shape or leather bikers with integrated spiilers and through the shoulders of the blossom who clearly recall people found on Ferrari. Sometimes, instead, real car parts become the main material; As is accompanied by renunciation with a renunciation Ferrari tires, which have turned into a yarn used for woven and rainbow suits-a copyright fabric called Q-cycle-which is in an innovative approach to circular creativity.
In other cases, the inspiration comes from the past pilot gear, such as sufficient leather cargo pants that recall the 1930s, or the 7×7 checks, the distinctive of the racing suit, which was re -worked on the silk shirt clothes, knitting pieces and embossed leather clothes. Between the accessories, the soft la ferri dino bag stands out; It is a crack on the dino model, which is a car named after Enzo’s son.
