Dusan Paunovic has clarified its independent label steering of clear industry criteria, bypassing the dazzle of visibility, and avoiding social media oversexper. Nevertheless, he is not a harmit, and his solid business is proof that he is capable of making a place for his label. He keeps a close watch on the fickle tide of the industry, but his presentations are clearly absent, inspiration, and moodboards. “They are Clich.” He said. Nevertheless, if there is a designer whose effect he openly accepts, beyond his long -time clear debt, it is the late Georgio Armani, who died last month.
“In Milan ‘in 91, Armani was everything. Someone else had no immediate recognizable,” he reminded. “Their ‘non-colors,’ those muted millions shades, and loose, liquid shape were very inspiring. When he came with ‘Blue 1041’, I would never forget, a midnight blue was so dark that it ate almost light. His silhouettes were fast, pure match. It was every time when I try to present one, it dies on the rack.
Surprisingly, the man’s rock-solid punishment was not given, this collection climbed on the list of its performance of the fluid, uncontrolled pieces. Wool and Kashmiri chiffon were prepared in cloud-light tunics; Woil wool was rotated in a Sarong skirt; Crisp silk-oun Twil accelerated Kimono Trench. Herringbone softened into an unlied jacket-pants set, while satin linen was cut on bias. Even the Classic Windopen overcoat found a Lux upgrade in linen, wool and silk. Pallet cool and tilted powder: Mao-Blue Duster, Ink-Wasted Denim Top, Rice-white sweater, Lilac Satin shirt and khaki uniform. Evening drift seside: Black iris was boiled to make the idea of elegance of a square-cut top duson in silk and satin white trousers.
