Denjil Patrick officially launched its first take on women’swear this season, although sisters, mothers and female friends have long been wearing the designs of creative director Daniel Gayle and artistic director James Bole.
“We really have taken it back to our first season, when we were making clothes for those who knew Daniel,” Bole said. It was the 10th collection of the brand, and they were particularly feeling introspective. “During the collection, we have created a story of British uniforms, clubs, scenes and tribes, and now, we are breaking up how people remix them and make their style codes.” It is expressed in the story of the pair’s deep research, with a ragtag artists of the characters as a reference. While the fall was a brigade of the Fall 2025 Speedway Racesses and medieval knight, the season was about Teddy Girls, composers from South London of the 80s, ’40s’ made as ’40s’ film stars, cockney boxers and button-fired Pearley Kings.
These cultures and brands of the brand’s South London Heritage were re -designed for real and riots: raw hemline and sporty, breathing cotton, plaque in front of the silcaine shirt sitting in a permanent rummer state, an chaotic energy created architecture. Bole, who also works with Dyer men, was happy to introduce more detailed prints. The evening jacket printed with old London postcard scenes, to look like spangled poleroids with silver thread, were added with black lace-up boxer boots. Surprise and Erotic Chartress Polo Tops-Brand’s “X-ray” brand’s brand “commercially successful” suit was done from the previous summer collection-strict with black bras and bloomers, and a sweet purple Gingham Brolet was paired with a boxer with a boxer with a boxer with a boxer with a boxer short towers The specialty was.
The collection also had a new section of hand -painted and sprayed jersey tops, something that he first clarified with the fear that the pieces would reduce the brand’s tailoring message. A button-equipped dinner jacket, with pearl’s mother, was designed using a legend of AT and eBe suppliers, with a legend of un-made patterns-it is likely to be a hit with their celebrity followers.
Creating clothes that talk to Denjil Patrick woman is both a liberation and challenge. “I have worked with various designers who have their own attitude of who their women are – with any power of power, or in the form of these other beings … but I just kept thinking about my mother, sisters and cousins … or an incredible woman whom I used to see in a doddy bar in Becanam. How do I feel good?” Gayle said.
