Monday, October 13, 2025
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HomeFashionStreet FashionDavid Coma Spring 2026 Ready-to-Vear Collection

David Coma Spring 2026 Ready-to-Vear Collection


David flows into a hurry of anecdotes to enter the studio of David-Left the best records-in super boats in Dubai, Rush in Dubai, and with great and good fashion in later hours of Tuscan Farmhouse. This is why it was surprised to hear that the initial point for his spring collection was not some jet-set playground, but Surrey Hills in Southeast England. Then, perhaps not: Between the calm of the rural areas, the designer’s ideas moved towards Hedeonism. ,

Coma felt the fantasies that had a party girls in a lookbook, which were bursting from the underground in all types of draped evening gowns and cut-out cocktail numbers. The intention of the collection, he said, his signature was to find a balance between geometric lines and lyricism of the natural world. Therefore, while fabrics can begin Stark and Strapless, or wide with shoulders, or deeply chopped in the navel with angular neckline, each of them was dissolved in silk chiffon and long, long, bohemian trains of satin. He said, “The feeling of comfort and the feeling of freedom of movement in the fabric which felt harmonious with the environment,” he said. “It should not be contrast, but dramatic.” This was: trousers so wide they read as skirts; Neon Peach dress collected the leg with bungee cords and rough into the feathers of the ostrich; Acid-Lime Minis silk-sliced ​​chopped with fringing. “Beauty is always dangerous to me,” coma said. “The danger is one that makes it so seductive.”

Is it not one of the basic laws of nature? What is seen, it proves fatal? Well, coma took that principle and ran away with it. Hundreds of satin flowers used to bloom in waistbands like Quilled petals of Dahlia, a cactus; Bird-off-paradise leaves-in chrome, black patent leather, and hand-rigorous orgas-fledged and fantated sheer aries bodiesuts; And the dysfonous column, out-out top, and metal necklaces on the rutched mini were molded into forms such as stem. Even a crystal corn hawki necklace, which was more farmhend than fame Fetley, breathed a little in the collection. Coma said, “We all need some fun in this type of time,” “It is all about the joy of dressing.”



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