When the organizers of the creative industry Brooklyn began to appropriate workwear staples such as Karharart at the end of this century, they were following the first prepared blueprint prepared by Le Corbusier. In 1947, the OG cruelist told his left bank tailor, Arnis, to wear a practical jacket to draft Machines for Living Inn. Lyon Grimbert of the house duly distributed an unnecessary, round-neck, patch-packet workwear. The jacket in the Purple Cordroy that had olive piping and gray elbow patches. Christian Le Forestier, it was prepared based on clothes worn by gamewriters in Val-De-Layer.
In 2012, when it was creatively directed by Alessandro Sartori and it was directly oversee by Antony Arnault, Berluti bought Arnis. Also, its impeccable sewing collection and Savire Fair – I once read the arranis books of Pierre Barge and Yaves St. Laurent (who was coincidentally responsible for introducing Andy Warhole for the first time). Inherited Berluti but Forestier.
The heritage was first detected after a very long time in the Berluti presentation of this season. Along with the entertainment of the original commission of Le Korbuzio, there were new versions in suede, Kashmiri (best), and velvet, as well as a long version in gray herringbone wool (which can not really think that I can actually be counted in foresi ). Each workwear brother who came early in bitcoin or Nvidia should also go to Forestier.
In other places, there was a stunning performance of shoes which also included real grawls. It was first one of the shoes that Alesandro Berluti himself built when he established his business in 1895. Only the right shoe remains in the house collection – it must definitely be tasked to re -create a new mirror image to their artisans to complete the pair. -But it was a wonderful thing to look. Along with this, 10 designs of shoes were also presented which detect the genealogy of Berluti’s Demensure Line. A new model includes Mont Thabor, which is a chisel -to -evening style in many colors of black. It seems unlikely, but when placed in front of the light, or placed in front of the flashlight, you can see a layer of berry red, green and other colors applied by the painters and policers of the Berluti. There were also many other new versions of the figure, each of which reflects a different phase of development of the burluti.
The brand eventually focused on the bag, a category that he introduced 20 years ago under the leadership of Olga Berluti. A new model called Perryal Bag was particularly attractive: a catch whose structure looked like a shoe and was designed in a softened version of the traditionally used Venezia leather. It was a very interesting and decent presentation that highlighted the 130th anniversary of the house without very highly hypocritical or self-appreciation. However, the most important thing is that it revives the magnificent formators.
