This Anne Sophie Madsen has been taken 14 years to become a “new talent”. Trained at the Royal Danish Academy, the designer worked with Lee Alexander Mcquin and John Galliano before leaning in 2011. Six years later, he inactivated his brand to pursue fine arts and teach in the Scandinavian Academy of Fashion Design. Madsen was forced to return about two years ago.
“I never closed my brand: I really felt that I had anything to say, and then I suddenly felt that I did it – because when I was younger, I was not with big gestures,” Designer It was said earlier this year. And Madsen is not going alone; Caroline clant, a stylist and some time Wetments The model has joined the crime as its partner. “I think it’s good to be two,” Madasen said.
Fall was reduced to the return of the designer presented in a showroom with the model for 2025; This season she is talking about the city – and not only because of memorable Rat bagArt star Esben was built with Weel Cajr, which accessed the pieces of the show.
The new collection was a stunning exhibition of “Glam and Trash”, as Kajr said, but also a delicate beauty. The last pink chiffon was present in the unpredictable float of the train that opened the show, and then in that look, a lengi, the apocalyd moto, the Balarina look. “I was always very interested in traditionally considered feminine or masculine and it was to see the boundaries to work to stain. And in this collection, it is the same with age … that is being increased, which is considered to be serious or more fickle, young, a fickle, young style.”
Madsen’s prejudices were separating the macho perfecto jacket and workdown tank from their disciplines and expectations, and “a way to be really sexy in a way … as I have been attracted to me. These elements were mixed with historical contexts, such as Bastles and Big ’80s shoulder pads. There was also a bridge and tasty.
Clothes – and Bijoux presentation – were captivating, but the import of this victorious outing is beyond fashion or something else is necessary: the purpose. Madsen said, “I really want to really want to enjoy things. Working on the pattern and sewing such small things by hand, why did I want to do this.” “It is probably a decision about the life that I want to live … I have left it, why did I have to return? I think it sometimes shows a small version of itself that things can be done in different ways. Perhaps the only way to change fashion is really that someone can do it in a different way, and then do it.”
