| Picture: Soni |
Last year, Wire Informed this 28 years laterUpcoming sequel for classic zombie flick 28 days laterWas An iPhone 15 Pro Max is being filmed using MaxA New Ign Interview Along with the film’s director, Danny Boyle, now confirms that at least some parts of the film were shot with the phone and highlights even more on that process.
Apparently, several iPhone shooting rigs were used on production. As IgnThere was one in which there were eight phones, one which was in ten, and one which was held up to 20, what Boyle can be used “Originally of a poor man bullet Time,
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| The phone rigs can be connected to the crane or can be done by people. Photo: Sony |
He also says that due to so much coverage, options are also provided in the post. “This gives you 180 degrees of an action vision, and in editing you can choose any option, either a traditional forest-camera perspective or reality can immediately make your way around, to close the subject, jump forward or backwards for emphasis.” Boyle also called it a “a wonderful tool” to place the actors on their toes. “They find out where the cameras are and they find out the lens and they find out what they are doing. But (multi-camera rig) throws them.”
Why Boyle decided to use iPhones for production, he says it is a callback for the vibe of origin. Ign Say when 28 days later Footage of an apocaliptic event was shot on cheap digital camcorders, which he used to make a film. Nowadays, such an incident will be recorded on the smartphone.
Along with this, it is difficult to say that footage from the trailer Looks like Like phone video. Like Sean Baker, with some films shooting on iPhone Orange Or Steven Soderberg UnheardShot-on-e-cell-phone beauty is strong, but, for my eye, 28 years later Just looks like a film. It is not necessary that it is surprising, although on-set photos from the phone show the crew using a fully developed cinema lens in front of the inherent cameras.
If you are interested in the film, then Full interview It is worth reading well. How Boyle and his team use widescreen 2.76: 1 aspect ratio, to place the audience on the edge, and the film’s story (by Alex Garland, like origin) was inspired by major events in the last two decades, such as Brexit. After 28 years, on 20 June, it is set to hit theaters.
