At every turn, the ethos of van Duisen Note, Moltni is strong. “It is rich in emotions, in beauty. We want to make things that inspire, “he says. “This is an industry where you can still feel humanity. The store should trigger curiosity. “9 o’clock through the approval; molteni.it -Sam Kochar
One to Watch: Artist Ara Stark’s Emarsiv Creation distributes wonder dash on an architectural scale
“Metz was once stained glass’s heart,” says the artist Ara StarkTalking about the city in Northeast France. Its famous cathedral (also known as the lantern of God) with windows by artists Mark chagal And Jacks Villain, as well as St.-Maximine with more by genes by genes. Now, Stark has added his own vitarus touch to the urban landscape, designing 27 stained glass panels (almost every window) for Messon Heller, a hotel that is a concept by his father, industrial designer. Philip StarcOpening this march.
The project marks the latest in a series of cooperation between father and daughter, which shares a nature for dramatic. In 2008, he imagined a 1,560-class canvas for a restaurant roof Le Miris Hotel in Paris. In 2022, he built a large curtain for Madrid’s redigation Tetro eslawaAnd last year he unveiled a roof of about 10,000 square feet to La Almazara, an olive oil museum in Ronda, Spain. “The idea is always to keep the viewer in the center of the piece of art,” she describes her architecturally scaled establishments.
Stark started painting at the age of six, obtained a lesson from French Fine Artist Gerard garteToday, although his work still begins with brushstroke, he thrills his constructive, vaguely in a series of mediums, vaguely embellish the imagination, often works together with master artisans. She explains, “We try to translate with their serving fair – or even to transkand – what I say in the third case, painting in it,” she explains. in the matter of Massen HellerThis included intimate collaboration with Metz’s respected glass experts. Somewhere else, he has made supersized carpets and fries. She is currently researching immersive approaches for ceramic.
