Sunflower, Danish Menswear Label, at least is a notable case study. The company’s headcon number two, co-founder Ulrik Pederson, who is in charge of the design, and CEO Alan Blond. With the experience of decades between them, the pair can work directly with their suppliers and eliminate the middleman. But even more than this, Pederson has a feeling that his previous company, NN.07, has sold more than one lakh pairs of Simon Khaki. Sunflower is a more niche offering; Its red thread is a rock ‘rol attitude, which took the form of a snakekin relationship this season.
Pederson does not aim to strengthen the wheel, but create effects out of small adjustments. The result is that there is some out-of-the-ordinary about sunflower design, but it is nothing that you cannot put finger on. For the fall, the designer continued to detect the return to the dressing to address the previous season; Along with a woman -with men’s clothes, men added an unexpected element of enthusiasm to offer at one time when we are seeing what the revival of Androgyny can be started. If a certain baganes for cuts of plaid shirts and pants put forward the odor of a teenage soul, a Kashmiri sweater in Nantukta Red and a type of sponge-paint effect a barn jacket added a little prepass. Fully sewn coat, in a moss-colored wool, one and a nut herringbone, can be worn with a well chopped pair of jeans, which was bitten into both brown and black leather, as well Also a washed Marun denim. A Zip-Funt Black Leather Jacket was styled with a tie, which was captured on the dress-up/down vibe of the season. NB: The collection was first presented in Paris; Vogue Runway saw it in Copenhagen.
