Even Boho Queen Isabel Marunt has caught the minimum bug. In a new twist for the brand, the studio took a greater architectural approach to the pre-following, straight, bending on classic shapes and gave the attitude of fabric through washing, texture and fringe.
During a showroom trip, artistic director Kim Baker noticed that, when the time becomes harder, what the consumer really wants is a sense of simplicity and assurance. “The need for authenticity has always been a big part of who we are,” she said. “These are clothes that look real and live, even if they are new.”
While Marant can be known for Boho print, this time the pair decided to carry forward those people in favor of most openwork knots. An impure-sand coat was treated to look faded; An artisan-dinner was punctured with a delicate fretting and patent-leather tab. As in men’s lineups, Ecru, beige, cognac, midnight blue, and black domination clay tones, here and there are punched with red or orange shots.
Unlike Vintage-Y, on the contrary, for example, a feather-light ivory jersey bustier dress with a lace-like top or a long black slip dress with a ruled hem with a ruled hem with a rough hem and this overweight and Also gave more agitation. The touches were touched or touched and dull. The coat was easily cut, with many large adequate pockets that can be a wearing bag-free. Although some pieces-especially jeans with additional metal buckle, forced, other pieces, such as a faux-fur coat and gaucho shoes, heavyly decorated with metal, placed the lineup in the marrant area.
