The Spring 2026 collection debuted in Shanghai on October 10, but it was Jingwei Yin’s Oud Wag show on Saturday night that kicked things into full gear. In the two years and change since Vogue Runway began covering Shanghai Fashion Week, Yin has transformed from a breakout name to a top-billed talent on the calendar. Chalk it up to the high-octane glamor of her runway presentations, which often help drive momentum here, and her fabulous dresses, which have started to make their way stateside. Charlize Theron wore a set of yin for the appearance jimmy kimmel liveearlier this year.
His success has forced Yin to think about moving forward; Backstage after his show, he talked about challenging himself. Some particularly strong experiments included a pair of straight-line crepe skirts attached to hip-revealing silk mesh waistbands, and other dresses and blouses that wrapped the body around sheer body suits. Elsewhere, Yin cleverly incorporated georgette wraps and shirts into the form of capelets and tops, bursting out from the collar, which gave the collection a dynamic feel and helped soften the overall look.
Having established his signature so quickly – a showroom manager here points out that shoppers are now quicker to recognize and feel the Oud Vague cut – Yin has been working hard to highlight the more commercial side of his label. Specifically this meant streamlining her tailoring, maintaining her slim and pointed shoulders but simplifying the design to create a more reliable and wearable silhouette.
Yin also said that he tasked himself with creating something entirely new, including using more structured satin for the silhouettes, which he described as “more architectural and like sculptures flowing in the wind”. This much was true; The pair of closing costumes reshaped Yin’s signature techniques – somewhat purposefully. Most of all, he created a space that Yin should further develop; It was a very welcome surprise to see the figures moving away from the body.
