Once again, Palazo Acarbi served as a Quinticeant Millions Backdrop for Elisabeta Frenchy’s show. This time, however, he invited his guests to step inside their world. Fascinated by the aura of the mystery known as the “The Devils House”, he tried to respect his history by imagining his future, turning it into the brand’s baroque drawing room. “When I first saw this place, I immediately agreed to it, because it was here that I had imagined my future woman. She is a woman, magnetic, self-blessing, and there is nothing to fear,” Franch said.
With her spring ’26 collection, she sets to detect the interaction of the light and shadow contained in human nature, which focuses on both delicateness and deep attractions of temptation. To end this, he used pink neon as a filter. The nuances of sexuality as always were expressed through structured silhouettes, movement of movement, festivities of form and a parades-down palette. The designer said, “If there is a garment that I will never give up, it is a floor-length oversized trench,” the designer said. The gap completely surrounds its idea of functionality – yet seductive. The new ideas of the season were paired with a sewn suit to Capri trousers, their sharp lines were offset by blazers whose broad shoulders were dramatically narrowed at the waist. Retalling the masculine edge were jersey clothes, which used to detect body-draping, cut-out, and keyhole details- and fringe, which in designer’s words, “make body dance.” This discovery of the movement changes tripolino, leather and sheer orgeza, applied to skirts, dress, top and biker jackets.
Standout techniques consisted of hand-stitched beaded nets on tulle or crochet, which was presented on a ostrich-scinen effect on satin, and distressed, slide the denim. The palette went between black, butter, naked, and bouudoor pink, while stacked metal bracelets wearing a bold twist for an N mass look.
