CO’s Stephanie Danan launched our appointment of how the spring collection was about “liquidity” and “the unexpected way to combine our games with our evening work.” He continued, “As the collection came up with styling and there was a feeling of escaping a little in place. Stay in a bubble and not to listen to what we want to wear now, what we should wear, what is going on in fashion, what is going on in the world.”
He certainly cut the noise, gave a parades-back collection of a handful of required pieces. A light maxi knit “T-shirt” dress that she and Samuel Draira, her stylist and collaborative, layered Above A linen suit, and Above The fringe is separated, scattered as a kind of loop shawl around the shoulders. Light, apparel-colored poplin varying-a trench coat, a button down shirt, narrow trousers; In fact a terrible leather “poet blouse” jacket; And a handful of low-key, ventilated gown, which includes one in the Davor Velvet, is worn backwards and layered with “a bunch of skirts below to elevate the whole thing”. There were no platforms of color, just wore a sea, black, and military greens, worn with everything. This point was not necessarily high/low dressing or principles of protest, but more just one thing that not only you love wear everything. “During our fitting with Samuel and Design Team, we just thought,” Let’s go here radical, “Danan said,” No, no “after a string of all the things he had rejected. “We are like,” this is what we are. This is our identity. This is what we think that you will love us. “
