Contemporary architecture often refers to ideals from modernism – prescribed elements such as clean lines, open schemes and honesty of materials – corresponding to current tastes and needs. it Highland park residencedesigned by Smthark With internal Joshua riceThe dynasty is firmly related to. Expressing its modernist DNA, the house rethinks what means to be a “machine to live” will affect a growing family with emphasis on color, material and underlying suitability. Away from white, minimal “modern box” stereotype, it proves that the subtleties of tone and texture can increase modernity to create some sensual and moody.
The structure is set on the east side of the Highland Park – one of the most stored neighborhoods of Dallas – the position of location as a canvas for architectural use. From the arrival of contemporary projects from Tudors and the Mediterranean revival in the early 20th century, the neighborhood reflects a layered history of design. Construction is both a privilege and a challenge. But this new construction house is integrated in a hard corner, honoring the established visual story, offering something different of its time.
The architecture is anchored by gray limestone walls, which is the material chosen for both its durability and its sculpture quality. These walls flow between the exterior and the internal, which creates a feeling of continuity. The glass expansion connects the family from the outside, while the wooden panels and plaster soften the stiffness of the stone. But there are interiors where the project most clearly establishes its voice. Rice is used on low-objective experiments of modernism, which is accompanied by color obtained from the very character of the materials to be used.
The interior palette flows with tone through EBBS and 5,600 square feet that are muted but never flat. CEPPOs match marble floors, fumed oak cabinetry, warm-gray laminates, and plaster architectural stone, all tightly bring depth and variation within a tightly edited spectrum. In the primary suite, the natural white oak comes from dark blue Japanese tiles and Icelandic marble, which combines heat with shadows. Light oak wide-plok flooring is contrasting with deep elements, ensuring that the atmosphere remains balanced.
Programming is also central for the success of the project. From north to south, the ground floor of the house provokes to reveal a wide range of spaces: a cover outdoor living area that spreads to the kitchen and hooves; A partially trapped, opening and dining area; And a well -dressed hallway is leading to primary suite, powder room, office, yoga studio, media room, mudum and washing clothes. Specific, panel-oak wall-a racetrac shapes in the center of the house conducts the scheme, attaching private tasks in the center of the house.
Above, four children’s bedrooms in a treatop family room, each with an attachment -wash with each other -with a second laundry to reduce daily life. The system reflects a contemporary sensitivity: communal locations flow into each other for family celebrations, while tuck rooms allow calm work, exercise or retreat. Programming suggests that when the house draws inspiration from open plans of modernism or the novelty of mid -century, it today prepares them for the complexities of raising a young family.
For rice, the option of embracing a dark colored, moodier palette was a deliberate challenge for prevailing expectations. In residential architecture, “modern” is often equal with bright, white and minimum. Nevertheless, the designer understood that a palette ground in the shade would create a quiet, more pure experience, which is abundant Texas looking at the daylight. The strategy was less about opposing water rays and more about shaping them. The darker content absorbs and spreads the sun, causing a feeling of grounding that allow the rooms to feel relaxed rather than oversexed.
The rice colors are not as an pronunciation but integrally for architecture – something that originates from the natural variations of the stone, the smoked tones of the oak, the mineral depth of the tile. The palette is structural, not decorative.
The decoration leads this dialogue between the modernist lineage and contemporary sensitivity. Instead of being default for a familiar icon of the mid-century modern design, Rice cured a collection that mixes rare vintage pieces with limited-culture tasks by contemporary designers. Sculpture lights, carved wooden chairs, and stone tables enrich the interiors with history and personality, while the home’s muted lives in harmony with chromatic environment. Each piece not only acts, but also a unique sense of itself, which reflects the passion of customers for unexpected design.
This house indicates how contemporary architecture can only respect modernity without cheating. This is attracted by the clarity of the content of space and truth of the movement, but modifies those ideas to the realities of the 21st century family life. Although restrained, it reinforces the role of color – often forgets in the retailing of the history of modernism – as central for the emotional effect of architecture.
“Customers are large fans of modern design, but specific design wanted some more unique and unusual than classics,” Rice says. “Fortunately, this is my passion.”
Here, the color is not bold or loud, but is cool, grounding and permanent. It is embedded in limestone walls that define the house, in marble under one, in the shade that crosses the rash of oak. This contemporary sanctuary proves that the color in the current architecture is far more impressive than the clitch of white walls and glass boxes. And by returning to the roots, designers can craft houses that are timeless because they are deeply individual.
To see it and other tasks by architects and interior designers smitharc.com And joshuaricedesign.com Respectively.
photography by Robert Tsai,
