Christian Cowan is known for his downtown cool party wear, so it was a fitting that he hosted his show in courtland street tonight – which is downtown and pointed as a site, can be completed with frescoes, garbage and mice. (Thankfully, no rat went on the runway.) The grudi location also worked as a tie-in for one of its design motivations: Kovan wanted to make clothes that produced children wearing clothes wearing clothes in children in New York. Now he lives here, yet he wanted to influence a Spanish sensitivity: “The entire basis was increasing my childhood memories in Spain, and was taking him here to New York,” Cowan called a backstage.
Call it Ibisa-Meet-Lower East Side Club Kid Collection. However, some early memories of Kovan stems from the Chiller region of Gallicia, not the Nichclub-Heaven Ibisa. “It was such a wonderful place, and I was surrounded by magnificent women,” he said. “It was no matter whether my grandmother, such as, was biting chickens or digging the roots – she would be in a pencil skirt, and was always jewelry.” Kovan wanted to bring some more aggressive, a feeling of Fabulaocity in Racier Dresses, which he made in tribute to Manhattan girls today.
His twisted T-shirted corset gowns, for one, were all clinging to the body, and inspired by women in Spain, he grew up and looked at the beach continuously on the beach. The top-his partner, Sam Smith, with his striped rugs, wore a front ro-or a panel skin-tight latex gowns were another result of him, trying to mix the codes of European and American style. “For me, it was a fusion of marine stripes and Barcode of New York City,” he said about all the horizontal patterns that were also seen on the paneling ballgown with aries and fur strips.
Although Spain and New York have a completely different fashion aesthetics, Cowan embraced the silhouettes and found the common land that was unexpectedly fierce (meaning, lots of skin). “I found a similarity in the confidence of dressing that is in both places,” he said. Compared to the previous season, who have been heavy on rhinestones and denim, this season was a clear effort to refine and smarter their materials. The initial number was a black fur shrug worn with a pink silk maxi skirt, in which garter-style straps swinging from the waist. The shirt with a cropped black collar with a small belt under the bust was a clear Tom Ford-for-old manner, which was added with a butter yellow bubble skirt.
But it was a coven show, so it would not be the same without only a few pieces that were little too much. For example, her pink deep-vee cocktail dress with a full tulle balrina skirt, neither read cool-new york nor spontaneously-on the Spain-Balki Full-On Barbelland. Although it cannot be the taste of everyone, the story behind it was at least suggestion, just as it has its hue. Kovan said, “It was my most playful time to be in Spain – there was no indication of my decision about my femininity as a child.” “It was a little tribute to this.”
